Bárbara Cariry

When bandits take the town of Sertânia, Antão gets shot, arrested, and left to die. Bleeding out, Antão's delirious mind begins to recall the events that led up to the incident through a sequence of increasingly unreliable fever dreams.

Antônio Justa neighborhood, in Maracanaú (CE), arises from a colony founded in 1942 for the isolation of people with leprosy. Today the new residents and the descendants of the first patients live in a territory marked by irregular occupation and real estate speculation, crossed by the stigma of the disease in the past and the precarious current reality.

Cruel and brave Brazilian outlaw called Corisco, living in the backcountry in the Northeast, an arid region, rapes 12-year-old Dadá, who becomes his woman, following him and his gang. Although they were supposed to fight against social injustice, they terrorized the small villages along their way.

A priest captures and arrests a vampire. He visits him for a regime of scientific experiments and strangeness. Over time the encounters become a hallucinated erotic and supernatural relationship.

After taking in an abandoned child, Teresa meets Antônio and the two begin a journey on the roads. The common past, for them, is the memories of a city submerged at the bottom of a dam. Life is a dream, but the future is uncertainty.

In an isolated fishing village, Esmerina is married to a fisherman and has 26 children. The oldest son secretly desires to leave to see the world beyond the sea. The daily routine of this family is suddenly altered when a mysterious boat runs aground on the beach entering Ana, a girl who survived the shipwreck.

On the eve of the Feast of St. John, Francisca, who is a widow about to turn 75, is on the verge of exploding like fireworks.

Young Alice lives with her mother Helena in Ciarema, in a house facing the sea. The residence suffers from the advance of the sea levels. The daughter, an environmentalist, plans to move elsewhere, but the mother wants to stay in town. They need to find a solution together.

The raft man Manuel Jacaré was swallowed by the sea when Orson Welles was filming It's All True in 1942. The fact evokes memories of the dictatorship of the Estado Novo, of World War II, of Ceará fishermen's struggle for labor rights and housing in their traditional space - target of real estate speculation.

In the mid-19th century, Colonel Pedro Cambará rapes his slave, who gives birth to a girl on a full moon night. Named Lua (Moon), she has to fight with the same weapons as men to win her place in the world.

The Gran Circo Teatro Americano takes its attractions to the northeastern hinterland. In the city of Aracati, the troupe puts on a fun play about the crisis in hell. With a rochamboesque plot and inspired by string literature, the attraction shows the arrival of the bandit Lamparino to hell and how Lucifer participates in international capitalism. Meanwhile, behind the scenes, loves and tragedies move the lives of artists.

Cosme and Maria, with their son Benedito and nephews Matheuzinho and Bruna, jump into a somewhat untrustworthy Jeep to go on a journey from the coastline to Barbalha city, where they plan to attend a special feast that they've always longed to take part in. All along the way, the trip is full of discoveries of landscapes and histories. The three children feel the enchantment of this unforgettable family adventure, and realize that they will always be great friends.

Following Alexander Taylor, a teacher in the slums of Kibuna, this is a reflection about the modern times, mixing social criticism and cinematic experimentation to reflect about the overconsumption of images, fake news and social media.

After a long time apart, a mother and her daughter meet again in the desert, between ruins and memories. The daughter destiny denies her mother dream. The past is circle that imprisons both the dead and the alive. The daughter wants to break it but shadows are spying out.

In an ancient family mansion, mother Sydia and daughter Nina spend a tense night of isolation just as a solar storm threatens to collapse the Earth’s gravity. What begins as a fraught domestic moment quickly shifts when a mysterious visitor, Lara, arrives, and the house’s long‑missing employee, Joana, returns with disturbing news from the outside world. As the cosmic and terrestrial crises gather, the four women are forced to face buried secrets, generational trauma and shifting power dynamics. Their physical refuge becomes a battleground of psychological and symbolic upheaval, where the end of the world becomes mirror to the end of the old order — and perhaps the beginning of something new.

Dinho is concerned with abandonment. His biological mother returns, promising she will stay, while his best friend is about to leave. Between child’s play and caring for a sick aunt, he finds some time to dream. Life has not been easy for them: they cling to the final moments of childhood, which seem to no longer belong to them.