Anne Roumanoff

Antoine a Union representative works in a financially troubled factory. He's not the sharpest tool in the box but he has a big heart and when he and his wife win the jackpot of the national lottery. Antoine will invest his gain to try and safe the factory.

After Coralie was found dead in a vacant lot, her mother Catherine - who thinks that her daughter was murdered - conducts her own investigation.

Fascinated by the dazzling small screen, Bernard leaves home sweet home, daddy and mummy and his native city (Toulouse) to try his luck in Paris.

A French family comments on what's on TV tonight.

Two women who want a raise, realize that they can easily get what they want, if they sleep with their boss.

Anne Roumanoff was 22 years old, with a degree in political science under her belt and ten years of theater experience behind her when she presented her first one-woman show at the Théâtre des Blancs Manteaux. That was in the late 1980s. Ten years later, after a few forays into theater, television, film, and radio, the bubbly brunette took over the legendary Olympia theater for three days with a show featuring her greatest hits, plus a few new pieces. Lighthearted or ironic, her sketches are inspired by women, all women, young and old, unemployed or successful, exquisite or exasperating—or both at the same time.

Chronicles Bernadette's years with the Sisters of Charity of Nevers convent, from age 22 until her untimely death from tuberculosis at age 35.

Ten year old Noemie, fed up with being shunted from one separated parent's home to another, puts her foot down and demands to stay in one place all the time. The new arrangement, however, turns out to be a nightmare.

The gloomy life of a high school censor is turned upside down the day he meets an old classmate.

Comte Philippe de Chagny discovers Christine Daaé's singing talent at a county fair and sends her to his friend Gérard Carrière, director of the Parisian opera. However, just when she arrives, Carrière is dismissed. His successor, the arrogant Alain Choleti, refuses to allow a woman of low birth perform in his opera, but graciously employs Christine as gadrobiere for his primadonna wife Carlotta, who's installed as first singer. He also battles the Phantom, an unknown figure in the catacombs below, granted privileges by Carrière. Christine becomes the Phantom's protégé, unaware that her being his muse makes him increasingly dangerous.

Serge Denoncourt confirms or denies Quebecers' prejudices about the French in this magazine that questions our values ​​and highlights our friendship with France. Passionate debates and captivating conversations are on the agenda!