Zapping Family

In 1984, climbing virtuoso Patrick Berhault gave a night climbing demonstration with Nico Ivaldo in Finale Ligure, Italy. This close and spontaneous connection with the audience, the silence followed by the cheers of the crowd with each move, amplified the climbers' sensations, creating a powerful feeling that gave them a state of flow. This idea of ​​climbing dance took root and culminated in the film "Star Climber," composed of parodic vignettes retracing the history of climbing through the ages. Berhault, by turns a Cro-Magnon man, a Zulu in a trance, a troubadour climber accompanied on the flute by Catherine Destivelle, a Buster Keaton trying to climb his beautiful woman's wall, as Blues Brothers, Berhault and Robert Cortijo push the dial on rock 'n' roll 10 meters above the ground solo on the facade of a building at the crossroads of West Side Story and a Terry Gilliam film.

It is 1 p.m. on June 30, 1982, when Christophe Profit, 24, shows up at the foot of Les Drus with his pof bag, his climbing shoes and nothing else. He will try the west face of Les Drus in "solo", in the Mont Blanc massif by "Directe Américaine", 1100 meters of vertical and smooth rock. Christophe will achieve the feat of climbing the wall in free solo, without using a rope or any belaying technique. At 4:10 p.m., barely more than three hours after the start of his ascent, the new climbing star can embrace the Virgin of the Drus at the same time as the career of a high-level mountaineer. Three years later, on July 25, 1985, he climbed the north faces of the Matterhorn, the Eiger and the Jorasses in the same day. Awarded at many mountain film festivals, this great documentary is a magnificent testimony to one man's passion for climbing, the mountains and adventure.

The most legendary 'sequence' ever achieved by a mountaineer: on 12 and 13 March 1987, in 40 hours, 26-year-old Christophe Profit managed to climb three of the highest north faces in the Alps, in winter: Grandes Jorasses, Eiger, and Matterhorn. But over and above this 'coverage' of the feat, we discover the wings, the story behind the project, the peaks and troughs of the preparations for it, and the personality of the man behind the climbs, a dancer on sheer rock faces, focusing all the energy and reflexes of life itself in his fingertips.

The Transantarctic expedition led by the American Will Steger and the Frenchman Dr. Jean-Louis Étienne took place between July 1989 and March 1990. It was the first successful attempt to cross the entire extent of Antarctica without the use of motor power. Six men of various nationalities, including Viktor Boyarksy (Soviet Union), Geoff Somers (Great Britain), Qin Dahe (China) and Keizo Funatsu (Japan), crossed Antarctica from east to west for seven months on dog sleds pulled by 63 sled dogs, covering a total distance of 6,048 kilometers, with temperatures as low as minus 45 degrees Celsius and long-lasting storms. Their aim was to draw global attention to the continent's endangered future and the early signs of climate change. The documentary relives this great human adventure, which took more than three years from the first meeting of the participants to the final success.

French filmmaker Laurent Chevallier always wanted to make a documentary on an African circus, but there were no native circuses on the continent. So Chevallier decided to help found a circus in Guinea. 36 young people were chosen from the city of Conakry to participate in what would become Circus Baobab. A group of French circus artists were imported to train the participants for 2 years in acrobatics and trapeze. Then the group took their show on the road. This film is Chevallier's account of the troupe's inaugural tour in Guinea, from March 1 - April 11, 2000.

Documentary portrait of José Domínguez Muñoz, better known as "El Cabrero" (French for "the goatherd"), Spanish libertarian flamenco singer born in Aznalcóllar, province of Seville, in 1944 and filmed over two weeks in 1988 in Seville, Aznalcóllar, La Carbonería de Sevilla and Marinaleda, and in concert at a recital in Bayonne. Politically committed, El Cabrero defines himself as a libertarian. Since the 1970s, he has been close to the anarchist movement. For many years, he was a member of the anarcho-syndicalist Confédération Nationale du Travail.

Fascinated by the dazzling small screen, Bernard leaves home sweet home, daddy and mummy and his native city (Toulouse) to try his luck in Paris.

African drummer leaves village, makes it big in the world. Great drumming!!

Songbirds are disappearing at an alarming rate. The Messenger is a visually thrilling ode to the beauty and importance of the imperiled songbird, and what it means to all of us on both a global and human level if we lose them.

In Kouroussa, his native village, little Baba lives happily, between Madou, his father, a gifted mechanic, Kouda, his sweet mother, and his gang of pals. Kouroussa is a wonderful place where Baba learns about life. But like all little boys Baba grows and now he is old enough to continue his studies in Conakry. He must say farewell to his village and cross all Guinea to the capital city of Guinea to live with his uncle.

A volleyball professional has a hard time choosing between three different men in her life.

An intimate musical portrait of a reclusive gipsy community in the South of France, which has produced world-famous musicians, yet remains largely unknown to the outside world. The film tells the story of three families, linked through ties of blood and music: the Reyes, famous as the Gipsy Kings; the Balliardo, descendants of Manitas de Plata; and their cousins the Regis, reclusive adepts of flamenco puro. Through cinematic imagery, poetic narrative, intimate musical performances, and moving glimpses of day to day life, we learn to understand the mindset of these unique people to whom fame and fortune have no value, and little matters but music and family. Shot in 4K and featuring over 20 musical performances, the film is a rare treat for anyone who likes flamenco guitar or the Gipsy Kings.