Lillian Roth

Alice is a withdrawn 12-year-old who lives with her mother and her younger sister, Karen, who gets most of the attention from her mother, leaving Alice out of the spotlight. When Karen is found brutally murdered in a church, suspicions start to turn toward Alice. But could a 12-year-old girl really be capable of such savagery?

The well-known explorer and hunter Captain Spaulding has just returned from Africa, and is being welcomed home with a lavish party at the estate of influential society matron Mrs. Rittenhouse when a valuable painting goes missing. The intrepid Captain Spaulding attempts to solve the crime with the help of his silly secretary Horatio Jamison, while sparring with the anarchic Signor Emanuel Ravelli and his nutty sidekick The Professor.

A socialite masquerades as a notorious femme fatale to win back her straying husband during a costume party aboard a doomed dirigible.

A moll, imprisoned after participating in a bank robbery, helps with a breakout plot.

The queen of mythical Sylvania marries a courtier, who finds his new life unsatisfying.

Deprived of a normal childhood by her ambitious mother, Lillian Roth becomes a star of Broadway and Hollywood before she is twenty. Shortly before her marriage to her childhood sweetheart, David Tredman, he dies and Lillian takes her first drink of many down the road of becoming an alcoholic.

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The story takes place in medieval France. Poet-rogue Francois Villon, sentenced to hang by King Louis XI for writing derogatory verses about him, is offered a temporary reprieve. His hanging will be postponed for 24 hours, and in that time he must defeat the invading Burgundians and win the love of the beautiful Katherine.

Searchlight Doyle, lightweight boxing champion of the United States Navy, is shanghaied into the fleet of Sainte Cassette, an island republic, as a replacement for a wealthy slacker who must serve his country to receive a $2 million inheritance, a scheme concocted by attorney Gabriel Grabowski. All his shipmates, except Hyacinth Nitouche, assume that he is indeed the wastrel he purports to be. Doyle falls in love with Adrienne, the most beautiful of the captain's daughters, and wins her affections by treating his comrades in her teashop. Admiral O'Brien, grandfather of the man Doyle is impersonating, comes to visit, and mistaking him for a civilian, Doyle throws him overboard and to everybody's surprise is complimented on his vigilance. But his real identity is exposed by some American sailors, and he is suspected of killing young O'Brien; he is cleared of suspicion, however, and is reinstated by the admiral, thereby gaining Adrienne's love.

A camp, affectionate look at women in prison films - the girls you love to hate and hate to love.

A movie producer announces that Lillian Roth has been signed to do a movie and he calls a story conference with a director and writers to come up with an idea for the film. As they work through some ideas, performers act out those possibilities via song and dance numbers.

In this musical short, three individuals try to entice a reclusive uncle to join the festivities during Mardi Gras.

A once-wealthy sister and brother rent out their Southern mansion and stay on as cook and butler.

Documentary on American troops in France in the First World War.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.