Teddy Bill

A painter working at the Louvre is struck by the Mona Lisa. When he meets a girl whom he believes bears a resemblance to the painting, and who wants him to become famous, he comes up with the idea of stealing the painting. Based on the real-life theft of 1911.

The magic of the circus stables. Controversies and small private conflicts between the artists, clowns and entertainers.

The hypnotist Svengali makes an artist's model sing, but cannot force her love.

Riccardo and his troupe travel around the world performing musical and dance numbers in vaudevillian and circus theaters. Dancer Kitty is so impressed when she hears him sing that she asks to enter the company, but is turned down by Riccardo. Then in the middle of a number at the Winter Garten she pops in and the audience loves it. Now she will try to win Riccardo's heart, although he has a secret from his past that might be an obstacle.

König der Mittelstürmer / King of the Centre Forwards refers with the name of its hero to the German soccer legend of the twenties: Tull Harder, star of the Hamburger Sport Verein (HSV). But the story itself is completely fictitious: The son of a trade company's director falls in love with the daughter of a big American oil magnat. But she suspects him to be only interested in her money. So she buys his father's company to take revenge on him. The son's true love is soccer, and from the very first moment the soccer fever is present throughout the film. It starts with pictures of a soccer game and even an apple or a crumpled up paper must serve as substitute for a ball. Whereas Die elf Teufel promotes soccer as "the sport of the century", König der Mittelstürmer shows the hero's father who still has to be convinced from its importance. He hates soccer and blames everybody to be "soccer crazy".

The film follows the comic (mis)adventures of a poor street musician, who is roped into posing as an eccentric nobleman. He and his antics are rapturously received by the members of a bourgeois family desperate to mingle with the aristocracy. The daughter of the family takes a fancy to the baron (in reality, merely a “joke baron”), assuming him to be immensely wealthy.

A comedy of confusion in aristocratic Vienna at the turn of the 19th into the 20th Century: The young Bohemian Countess Antschi Dorival trades places with her friend Martina, because she wants to become an actress and applies as such at the city theatre under a false name. And so, Martina attends the Vienna Opera Ball, posing as the countess. Because of their striking similarity to one another, Martina is confused with the impostor Sonja Lubomirska, who shortly before stole a necklace belonging to the wife of Archduke Johann Sylvester.

The young musician and composer Josef lives with Beethoven's music copyist in Grinzing. In the evenings, he plays for dances in the Prater, often his own melodies, although he doesn't make much effort to spread them, as they're almost all waltzes, a dance not well-regarded in high society because they're too sweaty. When one evening a lively princess—fresh from the convent—mingles incognito with the Prater crowd and falls in love with the dashing conductor Josef, an entire cultural system of values ​​begins to crumble.

The already successful tenor Mattei is discovered after he already retired into private life. Der Wiener Staatsoper place a significant part in this musical comedy drama.

Rural comedy about a farmer's fiancée who becomes distracted by a handsome young officer staying with them in 1910s Germany.

Mrs. Hansi Aichinger owns a flourishing fashion house in Berlin in which she employs her two married daughters Hermine and Dora, her sons-in-law and also her youngest, still unmarried daughter Liesel. Only her husband, Professor Hugo Aichinger, doesn’t need to be involved with the company.

A tourist guide in Naples is taken on by a Viennese woman impressed by his singing, and who regards him as her protege. This film was released as a German version and English Version known as "The City of Song". Brigitte Helm once portrays a beautiful femme fatale who displays her affection and lust for her tourist guide which is paralleled with the main bodied theme of the early romanticist songs played throughout.