Štěpánka Řeháková

Five young people take off in a lighter-than-air machine at the Prague Centennial Exhibition. In an Art Nouveau style, the film consists of live action generally shot in black and white, as well as hand-drawn, stop-motion, and cutout animation. Various live-action and animated elements are often composited into the same scene.

A successful art historian who has trouble telling people difficult truths, finds himself in an inescapable situation when a small lie quickly gets out of hand.

Eight-year old Dominique has a name-day. Her parents have a gift for her, but only give it to her in the evening, when everybody has come home from work. Then she darts out, where her girlfriends are already waiting for her.

Diane is married to Julien, an architect. The two met in Czechoslovakia before marrying and moving to France. Julien becomes extremely jealous when he suspects Diane of having a lesbian affair with a ballet dancer. His incessant questions and insane jealousy make Diane resentful to the point she considers pushing him off a cliff.

Kinoautomat was the world's first interactive movie, conceived by Radúz Činčera for the Czechoslovak Pavilion at Expo '67 in Montreal. At nine points during the film the action stops, and a moderator appears on stage to ask the audience to choose between two scenes; following an audience vote, the chosen scene is played.

A worker steals bits and pieces of building materials from work to construct a new home for himself and his girlfriend. When he discovers that she’s having an affair with his boss, he devises one elaborate plot after another to murder the rival, each time with pathetic results.

A smiling holiday story about an old car named Cleopatra and its four-member, all-male crew...

Young couple Eva and Jarda Tům face housing shortages just as Eva miraculously gives birth to quintuplets, drawing intense media and state attention. Authorities install them in a high-tech villa monitored by a commission led by Drahoslav Svitáček. As intrusive experiments, constant scrutiny, and malfunctioning gadgets strain their family life, a planned railway project momentarily frees them. Eva conceives again, but when only one baby arrives amid fading public interest, the state and the spotlight move on.