Tomonari Nishikawa

Directing

Tomonari Nishikawa

Died April 20, 2025

Filmmaker, curator, and academic. Born in 1969. Nishikawa’s films explore the idea of documenting situations/phenomena through a chosen medium and technique, often focusing on process itself. His films have been screened at numerous film festivals and art venues, including Berlinale, Edinburgh International Film Festival, Hong Kong International Film Festival, International Film Festival Rotterdam…

Known For

ApolloApollo · 2003
Apollo
7.02003
Movie
"It shows my interest in materials, medium, and apparatus of cinema. The sound will be produced from the visual on the optical soundtrack – for some parts, I used a 35mm still camera to expose the soundtrack area, and I scratched off the film emulsion directly for other parts. This is my senior thesis project at Binghamton University, and Julie Murray was my advisor." (Tomonari Nishikawa)
Shibuya - TokyoShibuya - Tokyo · 2010
Shibuya - Tokyo
2010
Movie
"JR (Japan Railway Company) Yamanote Line is one of the Japan's busiest lines, consisting of 29 stations and running as a loop. The film shows scenes around the entrances of 20 stations, from Shibuya Station to Tokyo Station clockwise. The in-camera visual effects and the layered soundtrack would exaggerate the noises and movements at the senses."
Market StreetMarket Street · 2005
Market Street
5.32005
Movie
"All images were shot on Market Street, one of the main streets in San Francisco. I used Sketch Film #1 and Sketch Film #2 as reference to make a plan of the film structure, and the visual was carefully composed frame by frame, while shooting on the street. This project was commissioned by Exploratorium and San Francisco Arts Commission for the outdoor screening event, A Trip Down Market Street 1905/2005: An Outdoor Centennial Celebration, at Justin Herman Plaza in San Francisco on Sep. 25, 2005."
Luminous VeilLuminous Veil · 2016
Luminous Veil
2016
MovieMusic
Music & lyrics by Lightning Bug Video by Tomonari Nishikawa
Lumphini 2552Lumphini 2552 · 2009
Lumphini 2552
2009
Movie
"It was shot by a 35mm still camera at Lumphini Park in Bangkok, Thailand, which was named after Lumbini, the birthplace of Buddha. The hand-processed visual shows the organic patterns found in this monumental park, constructing the systematic yet emotional rhythm and pace on the screen, accompanied by the sound from the visual, which was also captured through the still camera on the optical soundtrack area of the 35mm movie format. I am not a Buddhist, but as I grew up in Japan, I am familiar with some of the Buddhist teachings, including the Middle Way, which is a practice to avoid the extremes of the binary oppositions in life. The organic shapes of a leaf is never appears as perfectly straight lines, and I took pictures of leaves to make them appear either horizontal or vertical lines on the screen for a single cartridge of 35mm film (36 exposure for still photography = 3 seconds for the movie format). 2552 is the year on the Buddhist calendar for 2009." (Tomonari Nishikawa)
Into the MassInto the Mass · 2007
Into the Mass
6.02007
Movie
"The visual was originally captured through two Super 8 cameras, which were attached on the pedals of a bicycle, through my ride from Marin County to San Francisco. The time-lapse footage was optically printed onto 16mm film afterwards, and the double projection would show a new landscape of the photogenic city. The ride ended after joining Critical Mass, an event occurs the last Friday of every month in San Francisco." (Tomonari Nishikawa)
Tokyo - EbisuTokyo - Ebisu · 2010
Tokyo - Ebisu
2010
Movie
"JR (Japan Railway Company) Yamanote Line is one of the Japan's busiest lines, consisting of 29 stations and running in a loop. The film shows the views from the platforms of 10 stations in Yamanote Line, from Tokyo Station to Ebisu Station clockwise. The in-camera visual effects and the layered soundtracks may exaggerate the sense of the actual location, while suggesting the equipment that was used for capturing the audio and visual." (Tomonari Nishikawa)
TraficTrafic · 2021
Trafic
2021
MovieMusic
Music by Jeremy Young (with Tomonari Nishikawa) Music video by Tomonari Nishikawa

Filmography

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Lumphini 2552Lumphini 2552 · 2009
Lumphini 2552
2009
Movie
"It was shot by a 35mm still camera at Lumphini Park in Bangkok, Thailand, which was named after Lumbini, the birthplace of Buddha. The hand-processed visual shows the organic patterns found in this monumental park, constructing the systematic yet emotional rhythm and pace on the screen, accompanied by the sound from the visual, which was also captured through the still camera on the optical soundtrack area of the 35mm movie format. I am not a Buddhist, but as I grew up in Japan, I am familiar with some of the Buddhist teachings, including the Middle Way, which is a practice to avoid the extremes of the binary oppositions in life. The organic shapes of a leaf is never appears as perfectly straight lines, and I took pictures of leaves to make them appear either horizontal or vertical lines on the screen for a single cartridge of 35mm film (36 exposure for still photography = 3 seconds for the movie format). 2552 is the year on the Buddhist calendar for 2009." (Tomonari Nishikawa)

Director

16-18-416-18-4 · 2008
16-18-4
2008
Movie
It was shot through a toy 35mm camera with 16 lenses, which would take a series of 16 images consecutively within a few seconds in two rows on 35mm film, spreading on two regular 35mm frames for still photography – the mechanism is similar to the device that Eadweard Muybridge created to photograph a horse galloping in 1887, before the movie camera was invented. The film shows an event at Tokyo Racecourse when it was holding the 2008 Japanese Derby (Tokyo Yushun), the biggest event of the year, where the excitement of each race would last about 2 minutes and 30 seconds. This toy camera was not designed to produce a movie, so the bouncing visual displays the uniqueness of this particular toy camera, while it might also echo the vigorous movements of the racing horses.

Director

Six Seventy-Two Variations, Variation 3 (For Charles)Six Seventy-Two Variations, Variation 3 (For Charles) · 2023
Six Seventy-Two Variations, Variation 3 (For Charles)
2023
Movie
This is the third variation of the on-going 16mm film projector performance piece, "Six Seventy-Two Variations," for which I produce images and sound as a live performance. I use a wood carving knife to scratch off the photographic emulsion of the looped film as a live performance. Scratched patterns, which would be mostly horizontal lines, will appear as an abstract animation on the screen and produce noises, as the area of the filmstrip reserved for the optical soundtrack will be also scratched. Due to the distance between the gate of the projector and the position of the photocell to read the visual information for sound, the noise from a scratched pattern will be produced about a second later after it appears on the screen.

Director