Jeffrey Perkins

For one night Michael Pilz rides through New York with a remarkable taxi driver, Jeff Perkins. Sitting by his side, looking and listening, sometimes intervening, he uses his handy high-8 camera like a writing instrument, a „camera-stylo“.

Five young adults meet on a rainy night in Los Angeles and enter as a group into a series of dreams. Various adventures occur. Sister Midnight allows one of the guys to enter her mind; as a result of this invasion of her privacy, she is reborn.

In 1961 Lithuanian American artist and impresario George Maciunas established the avant-garde art movement Fluxus. George details the rise of Fluxus following a sensationalized tour of “concerts” in Europe in 1962, and continuing in New York for most of the 1960s and ’70s. During this time Maciunas was converting the dying industrial buildings of Soho into a network of artists’ lofts, creating one of the first official real estate co-ops of artist-owned buildings. Maciunas’s life and legacy—as recounted by artists of his generation, including Yoko Ono and Jonas Mekas—ignited debates that remain pivotal to artists working today.

This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.

Close-ups of two faces, shouting at each other.

Feature-length compilation program presenting 37 out of 41 original fluxfilms produced and directed in the 1960s by Fluxus artists, including George Maciunas, Nam June Paik, Yoko Ono, Robert Watts, Paul Sharits, et al.

Forty years in the making, 'The Painter Sam Francis' is artist Jeffrey Perkins' intimate portrait of abstract expressionist painter Sam Francis. The film retraces Francis' life and career from his childhood in California to his artistic maturation in post-war Paris, his time spent in Japan, and his prominence in the United States. It reveals a man in constant struggle with physical maladies and his own demons, but for whom creativity was a powerful life-sustaining force.

Casual, intimate look at Brakhage exploring footage left behind by his friend, the filmmaker Charles Boultenhouse, who had previously passed away