Rudolf Essek

Before he became cult director Douglas Sirk, Detlef Sierck cut his teeth on such lavish European star vehicles as Das Hofkonzert (The Court Concert). Marta Eggerth is cast as Christine, a young singer who aspires to find out who her father was. Her odyssey brings her to the court of a mythical kingdom, where she is romanced by handsome lieutenant Walter (Johannes Heesters). He is warned not to lose his heart to a "commoner," but all turns out all right when King Serenissimus (Otto Tressler) turns out to be Christine's long-lost daddy. Hofkonzert was designed as a comeback for Marta Eggerth, whose star had eclipsed by the mid-1930s.

The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!

After her Prime Minister Lord Melbourne arranges a marriage for her with the German Prince Albert, the young Queen Victoria decides to leave London and spend some time in Kent. While there she meets a handsome young German and falls in love, unaware that he is her intended husband Albert.

A diligent office worker and a cheeky sales representative are tasked by their boss with reserving a first-class hotel room with a bathroom for a visiting Hamburg exporter and his wife. A misunderstanding leads to non-stop confusion, because the office worker is spending his first wedding anniversary with his wife in the rented hotel room.

Biopic about the Rothschilds, a Jewish family whose members rose to the top of the European banking community during the Napoleonic era.

Constance, the young widow of a wealthy American, gets a love letter from the Engadine region, signed by the famous guide Toni Anewater she had met during a holiday in the previous year. Constanze and her friend Dorothy therefore go to Switzerland for winter sports. But identical love letters to other ladies in London, Paris and Rome have been sent. Toni does not know anything about the letters. Everything seems to be a cunning of the hotel owner to attract tourists.

An actress and her lawyer husband are so busy that their maid becomes the real mother to their six year old boy and at one point causes consternation by taking the child away to her home village.