Jorge Timm

Record of the rehearsal of the band Amsanctus in which the actor and film editor from Canibal, E.B. Toniolli, played. The master of the document, lasting about 30 minutes, was not found. The work was partially recovered from the feature "The Cannibals-Mabusiânus also dance Vol. 1" where it had been partially used.

About animals and their food.

17 self-taught directors come together to give new meaning to their work in the form of 20 new episodes that are part of the feature film "Noisy Silencers", an extrasensory video experience that takes us on a journey through the history of cinema, from the 1880s to the present in a tangle of deliriums of the seventh art.

A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.

A gang of criminals is taken by surprise by colonists contaminated by a drug (tested by the government) that unleashes their murderous instincts.

The debut of actor E.B.Toniolli ("The Vegetable Monster from Space", "They Eat Your Meat") as a director / screenwriter in this fun short film that pays homage to the ridiculous monster films of the 50s. A job for nostalgic people.

Two perverted homosexuals stop being gay and become necrophilic and coprophagic killers after one of them cuts his penis off.

After refusing to pay their property taxes, a house of cannibals prey on the government workers who come to collect.

Dr. Karloff prisons an alien from the Leguminous Planet and calls his friend Dr. Marins to help him in his experiences, because the Leguminous Monster is an anarchist intellectual full of hate against the human beings. While the scientists discuss about the monster, Caquinha is convinced for him to let him go. Done that, the Monster kills the scientists and kills everyone he finds in his way.

Three experimental video directors join forces to create a lysergic film written and shot only during moments of alcoholic relaxation and other substances. The result is this film.

Documentary short with a clipping of Jorge Timm's performances for Canibal between 1995 and 1998.

Zombies, beautiful dead girls, newly-dead and a wide variety of colorful and slimy undead invade the West of Santa Catarina, Brazil. Guts roll while "yerba mate" Cronenberg is consumed by the farmers. But the zombies aren't the biggest problem when all the humans are sadistic and selfish.

Small fragments from the life of a woman tortured to death by a drug addict and a cannibalistic Satanist. The thick blood splatters against director Baiestorf's dirty lenses, which shows in a surreal way the most realistic scene of heroin use ever filmed in the history of Brazilian cinema. The short was created from scenes filmed for the feature "Stay Sick!" which Baiestorf was unable to finish.

The Gunslinger Nobody refuses to suck a bull's cock in Colonel Bajon's zoophilia movie, and a musical hunt begins.

The Vegetable Monster survived the shot fired at the end of Part 1. Wounded, he is saved by a shy veterinarian who is abused by the rude colonists of southern Brazil, and who will use the alien plant creature as an instrument of revenge.

Trash rottenness in the love adventures of a coprophagous mongoloid, revealing the behavior of men and their relationships with humanity, in a satire of the common citizen.

A gore story about a girl who learns to use sharp machetes to avenge the death of her beloved murdered by religious fanatics.

Super Chacrinha and Glauber Rocha, two millionaires from the earthly plane of Varathrum, manipulate the people around them, including Deus and the Devil, so that their artistic industrial conglomerates grow.

At the end of the busy year of 1997, we ended up filming a documentary produced by Jorge Timm. Jorjão's restaurant was very close to the Uruguay River, on Ilha Redonda, and there was a river flood, which rose about eleven meters above the normal level - two meters less than the record high of 1983 - and displaced many people. Claudio Baiestorf, Carli and I went there to record the damage, interview homeless people and invent delusions. We arrived at the place and realized that Jorge had greatly exaggerated, via telephone, the size of the flood damage. There were not even homeless people. Thanks to warnings from the civil defense, all residents had taken precautions. We opened a whiskey and started filming anyway.