Núria Espert

In order to get María Rosa, the woman he is deeply in love with, Marsal murders a moneylender hated by all the people and casts suspicion on his friend Andrés, the husband of his beloved María Rosa. After being imprisoned Andrés, Marsal becomes the protector of María Rosa while waiting for the development of events.

In order to prepare for her role as a certain well-known actress, a young woman has lengthy conversations with three different actresses who were good friends with the famous star. Emerging from these conversations are three equally different versions of the past and the events that shaped their lives and careers. This cinematic adaptation of a theatrical work is true to the original, but does not stray far from a theatrical rendering of the story.

Report on the activities of the Spanish journalists. Series of separate episodes of various kinds, including almost all the areas normally covered by the national journalism, from sports to chronicle events.

At the end of the Spanish civil war, Fando, a boy of about ten, tries to make sense of war and his father's arrest. His mother is religious, sympathetic to the Fascists; his father is accused of being a Red. Fando discovers that his mother may have aided in his father's arrest. Sometimes we witness Fando imagining explanations for what's going on; sometimes we see him at play, alone or with his friend Thérèse. Oedipal fantasies and a lad's natural curiosity about sex and death mix with his search for his mother's nature and his father's fate. Will Fando survive the search?

The Sun rises and greets Clea, a sleeping beauty, a goddess, the spirit of the earth, but she is frightened and flees, pursued by the mighty star, infatuated with her.

The Two Memories, “an investigation into Republican and Francoist memories”, in the words of Jorge Semprún, is based on interviews conducted in 1972 in France and Spain, archival footage of the Civil War and newsreels from the Franco period.

A domineering,reclusive, and ostentatiously pious widow in a small Spanish town keeps such close watch on her daughters that they are unable to have normal social lives. However, the eldest is allowed to become engaged to an unprincipled young man, primarily for the financial advantages it will bring the mother, Bernarda. Jealousy and envy ensues among the other daughters.

Somewhere in time, a woman at the seaside listens to a voice that tells her that she will reach sanctity and she will receive a secret if she accomplishes Five Portents.

Six characters, contemporary archetypes of urban solitude, meet in an old apartment located in the city centre of Barcelona. An elderly married couple, her brother and three tenants: a blonde woman who gives French classes, a young security guard, an ex-football player and a young, pregnant South American girl. The old man, who was formerly a doorman at the opera and who likes to dress up in women's clothes, gets them all together and asks them to leave as he is going to die and wants to be alone for the last stage of his life. In this flat, incest, homosexuality and adultery are intertwined in the life of these characters whilst we simultaneously witness the passing of time in this Mediterranean city.

The film depicts ten years of Catalan history, from 1899 with the defeat of the Spanish side in the Cuban War of Independence to the Tragic Week 1909.

Silvia travels to the big city where she meets a married man, with whom she ends up having a romantic relationship.

A critical view of the world of bullfighting based on the antagonism between two bullfighters who take part in a bullfight that is crucial to both their careers. One is already in decline and fearful; the other is at the peak of his career.

Bizet's masterwork, Carmen, directed for stage by the Spanish actress Núria Espert. Royal Opera House in Covent Garden in 1989.

Ignacio, a professional footballer, has sentimental and labor problems. His girlfriend is about to abandon him because of the constant displays of affection that the player receives from an attractive admirer. At the same time, Ignacio discovers that two of his teammates have been bribed by another team.

Rosario, Tirana, actress of the late eighteenth century, enjoys the protection of the Duke of Fornells, Chief Justice of the Kingdom, which paves for the actress the way to fame on stage at the Prince theater. The secret love of Rosario, the Earl of San Esteban dies in a duel with Fornells and its position is occupied by the bullfighter Costillares.

After being fired from his company, Pablo meets his friend Ana, who introduce him to Pedro Ramírez, an undesirable lawyer, who offers him 15,000 pesetas for reports about his ex-company with the intention of doing a rob. When the lawyer's gang goes to give the coup, Ana reports them to the police, with the idea of taking the loot and fleeing with Pablo. But all of them are arrested and end up together in prison, where the intrigues and skirmishes between them will continue.

An absurd gathering of venerable congressmen convenes in a decadent hotel, immediately followed by a young couple’s intimate discussion about their desire to bring a child into the world. Interwoven with echoes of the Virgin Mary’s evangelical story, the film probes the moral and existential responsibility of procreation. Opposing this is an entrenched aristocratic order, symbolized by the deadly sins, which resists the aspirations and fresh ideas of youth.

Lovely but lethal, the evil Princess Turandot comes to life through the performance of Luana De Vol in this visually stunning production of Giacomo Puccini's Peking-set opera directed by Nuria Espert and conducted by Giuliano Carella. In this 2004 performance at the Gran Teatre del Liceu in Barcelona, Spain, all the subtleties of Puccini's unique tonality and unconventional instrumentation are in ample evidence.

The definitive documentary on one of the most relevant and popular figures of literature and television in Spain in the second half of the 20th century: Terenci Moix.