Nitin Bose

A traumatized and blind young man makes a living singing, and searching for his childhood sweetheart.

A respected doctor discovers he is suffering from a terminal illness. Choosing dignity over despair, he continues serving his patients while quietly confronting his own mortality.

Shiromoni, a village priest sends his son on an errand to the house of Mr. Mukherjee. On his return Kashinath discovers his father is no more. With no kin to support him Mr. Mukherjee suggests that Kashinath should move over to live with Mr. Pitambar Chakraborty, the zamindar [Landlord]. Kashinath however, is in no mood to leave Mr. Mukherjee's home as he has started to grow attached to Mukherjee's daughter Bindu.

Badi Bahen aka President is a 1937 Hindi social romantic drama film (the Bengali version was called Didi and starred several different actors). The story according to the credit roll of the film is "A tale of love and greater love" developed on an idea by M. M. Begg. It was a love triangle with a social content that highlighted the conditions of the mill workers. It was also the first film to show a liberated educated woman managing her own factory

Sisir Kumar Bhaduri's Palli Samaj. A 1932 Bengali Talkie Film directed by Sisir Kumar Bhaduri.

Dena Paona is a dramatic exploration of societal pressures and personal redemption. The film follows Sorashi, a strong-willed temple priestess, as she confronts the challenges of a troubled marriage and a disapproving community. Her journey towards self-discovery and reconciliation with her husband forms the heart of this compelling story.

A village boy seeking work in the city falls for a mill owner's daughter, but their love is tested by escalating labor disputes and class conflict.

A modern reformist professor helps a courtesan in her endeavour to achieve high academic level and respectability. They face open opposition and hostility by society but do not relent.

The legend of Prince Puran, born under King Silwan of Sialkot's curse which binds his parents never to set eyes on him until he is 16. Accused of leading a debauched life by an evil general and by the king's second wife, Puran is sentenced to death. Rescued by the mystic Gorakhnath, he becomes an ascetic. When the king is overthrown, Purna rises from his meditations to depose the general who has seized power, before returning to his life of renunciation.

Uttam Kumar's debut film. A tragic tale of love, loss, and redemption.

The story revolves around the 15th century poet-saint Chandidas who acts out against the deep-rooted bigotry against caste, untouchability and the hypocrisy of society, as he falls in love with a washer woman.

Widowed Govindi lives a poor lifestyle in Haripur along with two sons, Gungaram and Jumna. While Jumna is studious, Gungaram is the opposite, but has a good heart and decides to use his earnings to ensure his brother gets a decent education. After her employer, Hariram, accuses Govindi of theft, the shock kills her. After her passing, Gungaram works for Hariram while Jumna goes to the city to study and becomes a police officer. His first assignment is in Haripur, where he will be forced to confront Gungaram, who is now is the leader of a dreaded band of killer bandits.

An inheritance melodrama about Kunwar (Mahmood), the son of zamindar Himmat Singh (Sethi). Kunmar marries Shobha (Suraiya) and is disinherited, forcing him to join the army during WW2. When he is reported missing and presumed dead, a repentant Rana invites Shobha to stay with him. However, it is Kanta (Nadira), a young woman betrayed by Rana's villainous secretary Kailash (Yakub), who arrives at the house and his mistaken for Shobha. Masquerading as Shobha, who lives nearby in absolute poverty, Kanta moves in, causing a moral dilemma and generating suspense since she could be caught at any moment.

A young law student is forced into an arranged marriage though he is in love with somebody else. Following the wedding the drama focuses on the bride's mistaken identity and the search for her husband.

A famous radio singer Mohan (Saigal) is in love with Geeta (Leela Desai). When he goes to his friend a doctor, TB Specialist, Bijoy (Bhanu) for a check-up, he is found to be in an advance stage of TB. Meanwhile Leela's dominant mother and aunt (Nibhanani and Manorama) had been against the poor Mohan and had set their eyes on same Dr. Bijoy, the son of a family friend. When Mohan comes to know of it, and also his sickness, he decides to walk away from them. He is intercepted by a doctor who ran a sanatorium for TB patients, with some new method of treatment. Geeta couldn't forget Mohan and waited, but in the end she had to relent. Then it was known that Mohan was alive and cured. What would now Bijoy and Geeta do? There wedding was the next day, and they have to go ahead with it, the honour of both the families were at stake. Mohan too aware of his being exposed, disappears from the sanatorium and is untraceable.

Mansoor, a feared bandit who falls for Husn Pari, the sister of a tyrannical caliph. After taking shelter with a merchant, he’s pursued by the merchant’s daughter Meher. Torn between love and guilt, Mansoor faces betrayal, loss, and a final choice between his past and redemption.

In this Bollywood classic tearjerker, a romance for the ages blooms between the puppeteer Shivraj and the young admirer Pushpa after Shivraj loses the use of his hands and his livelihood. But love turns to resentment when Pushpa begins paying the bills with money made through her budding stage career. Will fierce pride keep them apart, or will Pushpa's faithful agent find a way to bring them together again?

A remake of the Bengali film Bhagya Chakra, it was the first Hindi film to use playback singing. It was director Nitin Bose who came up with the idea of playback singing.

Meera is immersed in her love and devotion to Lord Krishna since a young age. When she grows older, her family get her married to the Rana of Mewar. Misunderstandings occur when her devotional poetry is thought to be love songs for someone. Several hardships are inflicted on her by her husband and her in-laws. She takes to sitting in the temple and singing bhajans (sacred songs) composed by her. Her brother-in-law tries to have her killed many times, but fails. She finally renounces her life in the palace and wanders from place to place singing devotional songs.

Harish who's a poet who falls in love with Kusum, a singer he mentors. But Kusum sees him only as a guru and ends up marrying a wealthy admirer. Years later, misunderstandings resurface, leading to a bittersweet realization that love and respect don’t always mean the same thing.

Bicharak is a powerful film that explores the complexities of fate, judgment, and redemption. Through the lives of a tragic woman and a morally conflicted judge, the film delves into the depths of human nature and the consequences of societal prejudice.

Punarjanma is a Bengali drama film released in 1932 and directed by Premankur Atarthi.

A simple recording of Tagore's 1926 dance drama on Buddhist legend.