Erkki Seiro

Finnish porn movie producer Pertsa returns from America to his home country to continue his profession with hopelessly small budgets and incompetent casts and crews. A self-ironic satire about director Donner's scandalous fame in late 1960s Finland, notorious for a graphic long shot of his penis pointing northeast.

A lonely young suburban housewife participates in a radio interview survey while simultaneously engaging in an extramarital affair.

Long-time cohabiting couple Petteri and Liisa wake up with a terrible hangover and realize to their horror that they got married the night before. Throughout the day, the couple argues and reminisces about their previous relationships, but by evening they are ready to reconcile.

Two Finnish toy manufacturers Jim King and Krakström compete for toys. King's business is far too successful and he is trying to tax fraud with the help of his chamberlain. Both toy manufacturers hire gangster chief Niitti to handle their twilight jobs, but not everything goes according to plan.

Valtteri and Sepe, two ordinary white-collar guys from southern Finland drive up north to implement a plan they've been hatching for months. Because they simply love the taste of lamb, baked "robber-style" in a hole dug under a campfire, they forge their car's number plates and other important documents just to be able to poach sheep grazing on the roadside without getting caught. Lots of man talk around the campfire, aided by lots of booze. The summer may be wet, but the vodka is definitely dry.

F*** Off! shows no false respect towards the authorities in its impudent and candid reportage of the developing country/welfare state Finland. It is a cinematic parallel to Donner's New Book of Our Land (1967). The travelogue focuses especially on Finland's outsiders, low-paid workers and the unemployed. In desolate provinces, the inhabitants of a cold and barren country either humbly abide their fate, choose to move to Sweden or take refuge in excessive drinking. These images are accompanied by protest songs based on Donner's own prose and the lyrics of poet Jarkko Laine. Perkele is embodied in big business and the political elite.The jagged (anti)aesthetics of the film correspond to the underground movement and the radical politics of the time. The camera agilely penetrates everyday life. Though opposed to censorship, Fuck Off! itself transgresses the boundaries of privacy.

An experimental film about a day at the barber shop.

Jussi, a student admired by all women, is inadvertently selected to represent both left-wing and right-wing parties in the parliamentary elections. All Jussi cares about is the beautiful, blonde Irmeli.