Anna

Harri is one of Sweden's many Finnish immigrant-workers. While in Sweden, the illiterate Harri marries and has a child. After accidentally killing a man in a fight, he flees back across the border to Finland and begins to pick up the pieces of his life, but soon, the police come looking for him.

The events surrounding a factory in a small town are gone through in documentary style.

Through the eyes of ten-year-old Alexander, we witness the delights and conflicts of the Ekdahl family, a sprawling bourgeois clan in turn-of-the-twentieth-century Sweden.

As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.

Small-scale farmer Pasi shoots four policemen who have come to arrest him for raged drunkenness. Rest of the movie is a long flashback examining the events that finally leads to the tragic shooting. As time goes by, Pasi sinks gradually deeper and deeper into the poverty, gets into trouble with both police and tax officials while family arguments grow more and more serious. Based on a true story.

Nine Ways to Approach Helsinki, shot by Pirjo Honkasalo and Eero Salmenhaara, is a documentary on the capital of Finland.

Helsinki, Forever is a montage film about the city of Helsinki by the award-winning Finnish film director and academic Peter von Bagh. The film draws a portrait of Helsinki and also acts as an essay on Finnish culture in a wider sense. It shows Helsinki as captured by leading Finnish feature film and documentary makers over a period of one hundred years.

A restaurateur befriends a Syrian refugee who has recently arrived in Finland.

The Swedish 19th century engineer Salomon August Andrée sets out to become the first man on the north pole. His idea is to launch a polar expedition using a hydrogen balloon, together with two friends. The balloon, "The Eagle", takes off from Svalbard in 1897, but the three men are never heard from again.

Rational, exacting, and self-controlled theater director, Henrik Vogler, often stays after rehearsal to think and plan. On this day, Anna comes back, ostensibly looking for a bracelet. She is the lead in his new production of Strindberg's A Dream Play. She talks of her hatred for her mother, now dead, an alcoholic actress, who was Vogler's star and lover.

Manne, Harri, and Ville Alfa are rootless twenty-somethings in search of purpose for their banal lives. After Manne steals a priceless painting from a group of petty criminals, Manne and Harri flee from the gangsters across Finland, while Ville goes to Paris. On the road they meet Veera, an old girlfriend of Harri's, and try to avoid the gangsters in pursuit.

In „Fuck Off 2“, Donner waxes sarcastic about the scourges in Finnish society by interviewing regular people. The film takes a theme of different living possibilities. Some people find happiness, others succumb to depression. Many still dream of a better life somewhere else. Donner himself undergoes cardiac surgery.

A story of a doomed young love in a small narrow-minded town.

The young man must set up a clear border between Finland and Russia, white and red, enemy and friend, us and them. While the task seems clear he finds out the execution of his command in concrete situations is very difficult. Right choices turn out to be wrong ones and correcting them make things worse.

Solidarity with the border people. Equal rights for the sexual deviants. Kristoffer Lohman is a young solicitor who collects stories and knowledge of different perversions. This has affected and changed his own sexual life. Sara, a young well-behaved and adorned woman, becomes interested in Kristoffer's activity.

Finnish porn movie producer Pertsa returns from America to his home country to continue his profession with hopelessly small budgets and incompetent casts and crews. A self-ironic satire about director Donner's scandalous fame in late 1960s Finland, notorious for a graphic long shot of his penis pointing northeast.