Antônio Carlos Falcão

Hilário Pestana, the most famous, funniest and, ironically, saddest Brazilian actor, has died. He has passed through many stages of Brazilian cinema: the chanchadas, the Vera Cruz classics, the pornochanchadas, and even experimental movies. He was beloved by the public and had a gift for laughter, but he only desired to be a serious man.

Based on a story by the same name by Caio Fernando Abreu, it tells the encounter of a young man and a sergeant in the 1970s.

Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.

Canudos was a small village in northeastern Brazil, founded by the messianic leader Antônio Conselheiro and massacred by a powerful army until the death of the last of its 30,000 inhabitants, on October 5, 1897. The film tells the story of the Canudos massacre from an English cannon, nicknamed by the backlands people "A Matadeira", which was transported by twenty teams of oxen through the backlands to fire a single shot.

Movie version of Brazillian children's television series TV Colosso.

Sbornia is an island with a rich but eccentric culture, separated from the rest of the world by a high wall. When the wall comes down, cultural change plays hilarious havoc on the lives of two traditional Sbornian musicians.

Experience an adventure of counterculture, psychedelia, and an abundance of peace and love with Angeli’s beloved comic characters, the hippies Wood & Stock. As the euphoria of the 1970s fades, it's time to focus on family and work. However, a new rock band might just rekindle the spirit of those iconic years.

Kelson is a young worker who uses his motorcycle to escape the police and win Neide's love. He buys a new motorcycle from swindler Fernando, without knowing that it belonged to a dangerous drug dealer, who got out of prison and now wants it back.

Two friends try to get to a restaurant for dinner and get lost in the labyrinth of bars, walls and fences in a city.

Mockumentary on a German moviemaker and an old vampire film in Southern Brazil.

At the ruins of Gasometro’s power plant, in Porto Alegre, hides a vampire bored and distressed about his eternal life. Throughout the night, seeking for blood, he roams the streets looking for victims, until que falls in love with the architect that is restoring the power plant.

Interned in an orkutian detox clinic and other male virtual, the dependent Jader Bertola, in his last days of life, makes a "download" of his memories for a roommate to write a book telling his story.

A coming of age dramatic comedy dealing with the effect that two "summers" have on the lives of several teenagers. The main story involves an innocent teenage boy and a conniving teenage girl who meet on a beach one summer in Southern Brazil. They meet up again the following summer

A film director faces a complex situation in the production of his new film: Laerte, the protagonist of the story, begins to renegade her former characters, the Pirates of the Tietê. Lost in this situation and determined to be faithful to his whims after seeing the approach of death, the director decides to tell his drama mixing his persona with the story, creating a chaotic labyrinth between fiction and real life.

In the mid-1870s, Jacobina, daughter of German immigrants, became leader of a sect that believed in healing the body by cleansing the soul. After having a divine vision and speaking to Jesus, she changes her appearance and manners, disturbing the conservative population of the place. After the death of opponents of her sect, local authorities decide to take action against her and her followers.

Four directors tell stories related to the concept of happiness.

Written in 1625 by the British playwright Ben Jonson, the play “The Staple of News” provides a historic root for this discussion about the role of the press in modern day Brazil. Journalists of several generations discuss the dilemmas of the selection and focus of their subjects, the resistance of the media in accepting itself as a political agent, the inevitability of interpretation as there are no hard facts in nature, and above all the search for an always complex balance between credibility and the public’s growing demand for news.