Cheng Wen-tang

10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.

There is usually only one full moon every month, but occasionally there are two – and that second full moon is called the Blue Moon. It is said that when a person sees a blue moon and makes a wish, he will be granted a second chance in things.

Just coming out of the jail, depressed and close-hearted, Ah Yu met two men with different characters from each other. One is a businessman, charming and mature; the other is a young supervisor in a factory with a promising future. But these two loves are short-lived, fading away like bubbles on the beach. With a wounded soul, she went back to the cottage owned by Sister An, a friend from jail.

Soon after a young police officer reports for duty, he is confronted with the unspoken rules. There are people who cannot be questioned and cases that cannot be further investigated. Although he has been sidelined, he refuses to give up the old case. However, having spent so much time and effort, will he find out the truth or some long forgotten conscience?

In the eyes of her classmates, Yvette is a rock-and-roll girl. Because of a congenital heart condition, she has dropped out of school and spends most of her time at home with her cat Summer, messing around, playing the guitar, and getting out and about.

Bo Xin has no status at home - his brother despises him for not having a job, his mother won't buy him breakfast, and his father wants him to die. But, the fortune teller told Bo Xin that he would succeed, though "they" didn't think so...

A-Tek is on a quest to find his favorite metal band, Chthonic, and persuade them to play a benefit protest concert in his southern Taiwan hometown. Can music save a Taiwanese homeowner from a Chinese land grab? He sure hopes so.

Passionate about life and art, young researcher Ching is in love with museum historian Tung-Heng, but he is absorbed in his work. Then Tao arrives in Taiwan to view an item of historical calligraphy, and they realize why he pursues calligraphy.

A-Te used to be a social movement fanatic. But after suffering the pain of divorce and the death of his child, he changed his profession and became a taxi driver. Ma Le, a young aboriginal man, came to Taipei alone to earn a living on construction sites. However, unable to bear the exploitation, and in a rage, Ma Le accidentally killed a site superintendent and was sentenced to death. A-Te gave Ma Le a ride in his taxi on the night that Ma Le committed the killing and their two fates were thereafter intertwined.

An indigenous construction worker has led a distasteful life, until he meets a young hooker, and starts a poetic journey of love⋯ Postcard is Cheng's first short film, which elegantly presents the situation of the lower class with songs and poems.

A detective seeks redemption after taking on an assignment involving the death of a girl.

In the face of collusion between officials and businessmen and threats and temptations, journalists from "Firewire News" try to uphold justice, stick to their ideals, and write the most authentic and most emotional news reports.

“And they lived happily ever after” is an ending we are all too familiar with. On Marriage focuses on portraying all those struggles that couples encounter when they give up themselves to fulfill their marriage. In this anthology series, each individual episode explores varying meanings of marriage from five unique perspectives.

The Qiaotou youth LI Wen-hsin was arrested during the December 10, 1979, demonstration spearheaded by Formosa Magazine. After being thrown into prison, he learned a way to survive: mixing saltwater with white rice. He also recalled wonderful times with his girlfriend A-chun, the joys and suffering he shared with friends and family, and his longing for democracy. In this prison, referred to by inmates as the “Hotel Saltwater,” Wen-hsin and his companions, though suffering greatly, never let their thirst for freedom be extinguished.

The story describes Taiwan in the 70s, when it's economy is beginning to take off, and the daily pains of the Taiwanese workers.