Pere Joan Ventura

An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.

Documentary about the so-called "hope camp", which narrates the long protest carried out by the Sintel workers camped in the middle of Castellana Street in Madrid in defence of their labour rights. The documentary follows the evolution of the events during 4 months, from April to August 2001, reflecting the life of these people during their encampment and the negotiations between the government and the trade unions.

Joan Mares obsession for the lovely and luscious Norma Valenti takes epic proportions because he cannot let go of her. After he is injured by some skin heads, he uses his scars to pursue his life as a street musician. He devices a plan to get to Norma and she never catches on to his deceit, except she realizes that as Juan Faneca his performance in bed is exactly what she had experienced with Joan Mares because she concludes they were taught sex by the same prostitute.

A multi-part feature on the governing body of Spain, the Popular Party under Jose María Aznar. Themes include the bombing of Iraq, immigration, U.S. fire in Baghdad, and the manipulation of the media.

More than two hundred thousand women work as maids in Spain, and perform a task as fundamental as invisible in the hospitality sector. Our documentary covers the life, problems and struggle of the Kellys (the ones that clean the hotels). While the government proclaims the strength of the tourism industry in our country, as a flagship of GDP, its working conditions have progressively worsened, reaching a charge of one and a half euros per room. 'Hotel Explotación: Las Kellys' is the story of a fight to empower, organize and restore dignity.

The film was conmissioned by the Galeria Maeght to commemorate the Joan Miró exhibit organized by the French Minsitry of Cultural Affairs in the Grand Palais in Paris that opened on May 17, 1974. The film, that took five days to shoot, shows the smelting and casting process of the work known as Puertas Mallorquinas by Joan Miró. The filming team travelled to the foundry owned by the Parellada family in Llinars de Munt.

The two weeks leading up to the Spanish Civil War in 1936 are dramatized from many different locations in Spain, Morocco and London.

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later