Mano Csillag

Geri’s life flashes before him in the “Buhera Matrix,” a cringe-worthy slideshow of childhood photos from Pioneer camp to prom night. He relives the absurd clash between Mickey Mouse and socialist youth rituals, debates the perfect horse-chestnut hole size and survives the notorious fruit-game initiation. As the disastrous graduation and its Bavarian-style sacrifices cap off his painfully vivid memories, the film spins forward through Hungary’s late-20th-and-early-21st-century history through the eyes of a ’70s-born generation.

Rudi, a polite and quiet office hand, shares a special bond with his elderly grandpa. When Grandpa falls victim to a uniquely heartless phone scam that breaks his spirit and his health, Rudi decides he’s not going to let the petty criminals get away with it. But in order to get close to them, he needs to step far out of his comfort zone and turn into a different person. With a band of grey-haired allies on his side, he might just get to the scammers before it’s too late…

The prime suspect in a murder could be responsible for the death of the detective's daughter, but is he pursuing justice or revenge?

In 1951 Communist-era Budapest, the secret police knock on the door of an ordinary family. Instead of arresting them, they decide to move in and hold the family captive in their own home, along with anyone who comes to visit them.

Quiet 10-year-old Zsofi has just changed schools. Feeling out of place at first, she is quickly admitted to the school’s famous choir and befriends her popular classmate Liza. Soon, they have to stand up united against their choir master, who isn’t quite the friendly and inspirational teacher they first thought she was.

Zsigmond Móricz wrote his novel Butterfly in just a few days in 1924. Móricz tells the story of a mighty love that triumphs over adversity and is all-powerful in the language of ordinary people. The love of Zsuzsika and Jóska is presented through the "lightning and veil-soft" emotions of the director, László Vitézy's television adaptation. After The Legend of Hortobágy (Komorló) and The Sky Bird, this is the third film made by László Vitézy based on the writings of Zsigmond Móricz.

The reformed priest of Gát, Pap Énók, gets married. He is engaged to the worthy Miss Ica Zádor from Malomsk and Zádor. At the Easter 'priestess election ball', Énók could have chosen a wife from among thirty-five Gáti girls, but he asked the thirty-sixth, Ica, a young lady from Pest. Enoch, of peasant origin, had studied his way up to the middle-class intellectuals of the countryside. Ica, the scion of a ruined noble family, comes from Budapest to a low-class marriage, but Ica's rise to office could bring her back into the higher social circles she had lost through the family's decline. They married for love, but both were guided by interest and expectation. Ica is a vivacious woman of the world, dissatisfied, bored, longing to return to life and society in Pest. She finds strange amusements: sometimes she embraces, sometimes she torments her master. Enoch is head over heels in love, puts up with everything, and in return happily accepts the kisses he is rewarded with.