Micaela Solé

Gastón (Jorge Temponi) is very attached to technology and is still in love with an ex-girlfriend who left him. He inherits an old house from his grandfather far from the city and must travel there accompanied by Américo (Carlos Frasca), a clerk somewhat depressed by his old age. The driver and owner of the truck in which they travel is Beto (Jorge Esmoris), a carrier with a somewhat murky past. The place where they are going was visited by the English naturalist Charles Darwin in 1833, where he collected fundamental information to later develop the theory of evolution.

Karina was just 12 years old when she was trafficked into sex work. Now 45, she has no standard education qualifications, but what she has witnessed and experienced, in a society that has been hostile to her ‘kind’, has resulted in a new career path opening up for her. She has established O.T.R.A.S., a union for current and former sex workers, to which her friends and colleagues need little persuading to join.

Uruguay, 2045. Yerba mate is prohibited. Two illegal vendors travel to Paraguay to smuggle weed. On this journey they become accidental heroes as they return to the people their lost identity.

Between 1950 and 1952, the Uruguayan essayist, critic and writer José Pedro Díaz created a film diary with images that display a range of diverse interests: social observation, the portrait of the artistic-intellectual community in Europe and a look at domestic cinema from travels, portraying his wife, the poet Amanda Berenguer. As a perfect complement he also had a literary diary. Both form a unique testimonial chronicle: how to read the script and see what was filmed. This documentary deals with that lesser-known area of Díaz's work.

After the death of his mother, Emilio is not prepared to manage a cursed inheritance, the promiscuity of his desires and the discovery of a love. At 18 years old, he will be puzzled when he realises that fate sometimes hangs on something as fragile as the flight of a dove.

A portrayal of the multifaceted artist Sofía Saunier's daily routine as she takes care of her housemate and makes Transur, a film project showing the present reality of Uruguay's trans community.

"Los Ciclos" follows the life of Maria, from her first menstruation to her last, revealing her life experience and that of the women in her family who preceded and succeeded her, through the emotions that course through their bodies.

Olga, Teresa and Pilar have been friends since they were born. For years they vacationed together with their parents, and later together on their own. A few years ago, Teresa got married, and for some years they didn't see each other as much. Teresa's divorce prompts a reunion, so the three of them rent a small house for the weekend. In their first day together, it becomes obvious that everything they share is in their past. They have grown apart.

An emotional visual portrait starring fans of the most important melodic singer-songwriter that Uruguay had, the founder and leader of Los Iracundos, Eduardo Franco.

Two young people learn about love as politics turn their world upside down in this drama from director Ana Diez. After a long and successful career as a soccer player, Xavi retires from the game and moves to Spain, where one day to his surprise he happens upon Rosana, a friend from his childhood in Uruguay. As Xavi and Rosana catch up on what has happened to them over the past thirty years, they flash back to 1973, when young Xavi and his father Manuel, a shoemaker, lived down the street from Rosana.

At the tender age of twelve, Roberto supported the Sandinista revolution in Nicaragua and fought for education and social reforms. He was to continue his political struggle fighting alongside the communist Tupamaros in Uruguay. Thirty years later he is struggling to live his life as a woman named Stephanía and striving to be accepted by both society and his family.

Juan's life gives an unexpected twist when the laboratory for which he works announces his dismissal. Faced with the difficult economic situation of the country migrates from Montevideo to Barcelona. There he meets Mariano, an Argentine friend of the fanfare that dreams with Hollywood while cleaning tables and Julia, a young student who works as a waitress. Thanks to them, he manages to get integrated in the city and to see nearer the dream of bringing together his family. But Juan will soon discover that what he wants is, closer to him than he could ever have imagined.

After being fired from his job, Norberto tries his luck as a real estate agent, but he doesn't tell his wife right away. His new boss advises him to take an assertiveness course to overcome his shyness, and Norberto starts taking classes in an acting workshop for beginners. While he works toward the quarterly festival, Norberto fails to get his wife and clients to believe anything he says, but he finds out he is very good at lying to himself.

This is the story of Vicente, a successful, married, economist with a nine-year-old son. It also tells the story of Antônio, the same man, living as a hugadores—one of the homeless, trash scavengers who live and work in Brazil’s enormous garbage dumps. Vicente seems to have it all, but as we watch his life begins to crumble little by little. Meanwhile, Antônio, already at rock bottom, struggles to rebuild his life.

A team of advisers is brought in to manufacture the image of Marchand, producing social media profiles, commercials and a new public persona. Conflict arises when it is revealed that not everyone is who they present themselves to be. At his country estate, a rich businessman who wants to be president is groomed by a campaign team to create an image palatable to middle-class voters.

Through the years and from a very intimated point of view, this is the story of the adaptation process of two Syrian refugee's families to a faraway country called Uruguay, they completely disown.

Driven by childhood memories and the hope of a reencounter, Sarah visits her paternal grandmother in her village in Uruguay. She takes long to understand the prevailing unease… But she is soon faced with the gap between her fantasy regarding the place of origin and that village of old people forgotten by Modernity where the heat is overwhelming and the days seem to last forever. Cultural shock, humor, tenderness and sadness give shape to this bitter-sweet film.

Leandro and Silvina, a young and successful middle-class couple, are experiencing the happiest time of their lives. But the sudden appearance of Leandro's daughter from another relationship, destabilizes the couple revealing hitherto unknown differences.

Crowds is a feature documentary that records popular events of Uruguay where thousands of people gather spontaneously, called by faith, passion, celebration and memory. What happens when we set aside our individuality to act collectively? This documentary observes the passions that draw thousands of people close in order to join in a choral character. It discovers the crowd while it transgresses and experiences catharsis, while it seeks miracles and hopes; in continuous movement it splits and rejoins... until they dissipate and individuals re-emerge in their own solitude.

Overwhelmed by various problems in Montevideo, a couple in their thirties must move to a deserted beach resort on the Uruguayan coast. There they will not pay rent since an aunt lends them their magnificent house. What in principle seems like a true solution to your problems ends up not being so. Quite the contrary, this "idyllic" winter season on the beach, away from its natural environment, without much to do, will forever change the relationship between Claudia and Leandro.

Miguel Ángel García Mazziotti, a Río de la Plata's decadent showbiz gay figure, receives the visit of his daughter Virginia, of whom he has been distanced for years. "The Fat", as everybody calls him in Punta del Este, openly rejects her visit, but when realizes will become a grandfather he can't help getting thrilled and celebrate Virginia's happiness. As a result they share a real familiar weekend that, as many families, to be happy it has to be fake.