Toni Tetzlaff

A musical film based on biographical facts about Clara Wieck's love for composer Robert Schumann (1810-1856), her marriage against her will, Schumann's triumph, and his tragic end due to mental illness. The film is beautiful and entertaining, full of noble spirit and beautiful words about art and love, which only conflict in a theoretical context; not least thanks to its solid cast, this film is quite serious and far from kitsch. Completed in 1944, during World War II, the film was rejected by the Nazi leadership, but was eventually released and enjoyed success with an audience already weary of war.

Before he became cult director Douglas Sirk, Detlef Sierck cut his teeth on such lavish European star vehicles as Das Hofkonzert (The Court Concert). Marta Eggerth is cast as Christine, a young singer who aspires to find out who her father was. Her odyssey brings her to the court of a mythical kingdom, where she is romanced by handsome lieutenant Walter (Johannes Heesters). He is warned not to lose his heart to a "commoner," but all turns out all right when King Serenissimus (Otto Tressler) turns out to be Christine's long-lost daddy. Hofkonzert was designed as a comeback for Marta Eggerth, whose star had eclipsed by the mid-1930s.

While staying with her aunt at a fashionable spa, Else receives an unexpected telegram from her mother, begging her to save her father from debtor’s jail. The only way out, it seems, is to approach an elderly acquaintance in order to borrow money from him. Through this telegram, Else is forced into the reality of a world entirely at odds with her romantic imagination – with horrific consequences.

The political advisor to the French emperor Napoleon, and the Austrian emperor Franz I, arrange a marriage between Napoleon and the Austrian archduchess Marie-Luise in order to prevent another war.

A smart wife cures her husband of his infatuation with a beautiful singer.

Nazi propaganda film in which German girls from differing walks of life come together to serve the Fatherland in the 'Bund deutscher Maedl,' by harvesting crops, doing housework, acting as midwives, helping with handicrafts, and singing songs.

Barbara's family is poor and she needs to come up with a way to pay the gas bill. At her job in a cinema she listens to the conversation of a cheating wife and her affair. Barbara offers the husband of the cheating wife, a wealthy chemist, to help him get his wife back. Her plan is a bizarre sharade in which Barbara plays the role of the chemist's affair to make his wife jealous. Of course, this backfires in every way imaginable.

A concert pianist, the romantic idol of many women, is seduced away from his wife. The seductress's husband takes in the pianist's wife, and all four pretend to be happy with the new arrangement.

Best friends David and Philip have to end their love affair with their mistress Aimée which they - not knowing of each other - share, because they are going to marry their sweethearts Gaby and Viola. Of course Aimée will not accept her defeat. She interferes the engagement of Gaby and David, which lead to some turbulence and change of horses before they all end up in their honeymoon.

The violin virtuoso Ferdinand Lohner is lonely and depressed after the death of his wife. But then he gets to know the much younger Irene and forgets all about his dead wife, marrying the young tart soon after. Irene moves into the house in the mountains, where Ferdinand, his son Heinz and his former mother-in-law Mrs. Leuthoff live. The bitter Mrs. Leuthoff makes life difficult for Irene, since she had no way of preventing Ferdinand from re-marrying after her daughter bit the dust. When Ferdinand conveniently goes out on tour once again, Irene has to sit at home with the bitter woman. One day, Irene’s cousin Gustl comes on a visit and Mrs. Leuthoff takes the opportunity to “accidentally” let slip to Ferdinand, that his current wife is a whore. As if living with your current mother-in-law isn’t enough to deal with!

Officers stationed in a castle in Flandes during WWI are comforted by Gloria Delamare's recorded voice. One of them even writes her a letter that will never be sent. When the war is over Miss Delamare takes a tour in Belgium and spends a night in that castle. Most unexpectedly her former admirer appears and they dine and dance together. In the morning he has disappeared and she finds the letter. She tries to find him, only to discover he is presumably dead and involved in a family secret.

A man comes back from America after years to find his reputation ruined.

His Greatest Bluff is a German silent comedy film. Today, the film is best known for the early role it offered to Marlene Dietrich who was only cast after great effort by her agents.

A woman is put on trial for murdering a musician who ruined her marriage.

A bold crime caper about muckraking journalist Hans Steindecker, who happens to witness a spectacular murder. Shortly afterwards, he makes the acquaintance of Nelly who desperately wants to leave the country and asks for Steindecker′s assistance. Without giving a second thought, he agrees, and only after Nelly has disappeared does he realize that the young woman duped him.

Heads Up, Charley is a 1927 German silent comedy film directed by Willi Wolff and starring Ellen Richter, Anton Pointner, and Michael Bohnen. Marlene Dietrich appears in a supporting role.

The fun-loving laundress Mieze spends a romantic evening with the womanizer and fashion designer Max, who, however, wants nothing to do with her the next day. This only changes when Mieze appears to be the daughter of a count and "Countess Radebeul" moves into the elegant Hotel Bristol. After all sorts of complications and embarrassments, the countess turns out to be a misunderstanding, and Mieze and Max find each other after all.