Playing with Fire

Parisian Women (German: *Pariserinnen*) is a 1921 German silent film directed by Léo Lasko. Ressel Orla, Xenia Desni, and Ralph Arthur Roberts starred in the film. The film premiered at the Marmorhaus cinema in Berlin.

Princess Stauffenstein has arranged a marriage for her grandnephew Poldi and orders him to meet his unknown bride Steffi. But he falls for alluring dancer Ilonka while his uncle Leopold, sent to reason with him, is enchanted by Steffi.

Adaptation of a French comedy, set in Paris, in which a lecherous man sets his sights on a beautiful married woman, whose husband is otherwise distracted.

Nazi era depiction of decadent British aristocracy: A madcap country heiress was betrothed to a Lord but runs off with a young inventor after she is found in a compromising position, to avoid a scandal.

A country girl, mistaken for the niece of an American millionaire, wins the prize in a toothpaste contest, a trip to the Baltic seashore.

A rich,spoiled young man learns about military discipline after bonding with a more hard working comrade,and helping to rescue a child from a fire.

The author of a series of love stories based on his own experiences meets a country girl who can't stand his writing, in this Bavarian comedy which culminates in a grand masquerade ball.

As a young man, mustard manufacturer Ludwig Klinke had an affair with a dancer, the “Spanish Fly”. The dancer had a son and Klinke has been secretly paying maintenance ever since. Wimmer and Tiedemeier also had a relationship with the dancer. With the appearance of the dancer's supposed son, Heinrich Meisel, chaos breaks out.

One of the popular Weimar-era musical comedies not released in the US until after the Nazi takeover, this one has a Cinderella-type plot.

A musical-comedy directed by Carl Boese

When a travelling troupe threatens to unleash a saucy Berlin revue on the provincial town of Emilsburg, the local Morality Society, a band of sanctimonious middle-aged men, stages a protest. Meanwhile, the reigning monarch is concerned that his son and heir is not living his life to the full. Ninon d’Hauteville, a showgirl and the revue’s star attraction, takes a job as piano teacher to the young prince after her engagement at the local theatre was brought to a premature end, a result of the Morality Society’s interference. It doesn’t take long for those hypocrites to get wind of this. While on the outside they appear to be concerned with running the immoral woman out of their town, behind closed doors they rank among the new piano teacher’s most ardent pupils. However, Ninon, out to right the wrong done against her, secretly keeps a “diary” of their visits, recording each encounter on film with a hidden camera.