Zeng Nianping

Freely adapted from Gabriel García Márquez's Chronicle of a Death Foretold, the film follows the investigation of a local teacher's murder in a small and desperately poor rural village, the story of the crime gradually pieced together from the fragmented memories of witnesses forced to testify at an inquest. Sharing with her Fifth Generation colleagues Chen Kaige and Tian Zhuangzhuang a remarkable eye for the barren landscapes of northern China and a fascination with small-town life — especially those enduring superstitions that Communism failed to erase — director Li Shaohong also introduces several formal innovations, particularly in storytelling structure, that remain unprecedented in Chinese cinema.

Seven short films - each one focused on the plight of a different child protagonist.

5th Generation student film.

A casino broker who funds wealthy gamblers drops her guard when she falls for an artist with a gambling addiction.

Warriors of Virtue: The Return to Tao (set a few years after the original film) sees a new villain, Dogon, seize control of Tao, a parallel universe forming the film's major setting. On Earth, 12–year–old Ryan and his friend Chucky arrive at a martial arts competition in Beijing, whereupon they are unexpectedly taken to Tao. There, it is shown that they are to become Warriors of Virtue.

When Yan'ni starts college she believes she is embarking on a new life away from her family, and she is, but not the new beginning she anticipates. Once at school, she immediately meets Muyu and falls in love with him. What she does not know is that from the moment he met her Muyu began an intricate deception that will lead to the loss of her child and the future she believes in.

Liu Zhi, a young man, depressed and trapped in a loveless marriage with a dominating girl, meets Baober (an ageless young girl) on a Beijing street one day. They fall in love and start to live a strange, mysterious life....

In the southwest frontiers of China there lie many luxuriant forests where live a great variety of plants and animals. Three kids of Daizu minority is told by a granny that a red elephant which is the symbol of God lives in the forest so in a summer vacation they go into the forest to look for the elephant and finally they discover the secret of the elephant.

The horror story set in the contemporary China centers on a young intellectual’s ominous journey to find his lost girlfriend and the truth behind the breakup.

The film charts the fortunes of two women who loved each other as sisters, but whose paths diverge when the Revolution brings an end to their old way of life in the brothel.

After laying bare backward village mentalities in Bloody Morning, Li Shaohong turns her attention to China’s urban middle class. Cao is a photographer, married to an opera singer and with an infant son, caught in the usual professional morass of political compromise. His life starts to fall apart when he learns that his ex-wife also bore him a son some months after their divorce – and when the boy turns up looking for his father. Nothing wildly dramatic, just believable people in believable situations. If the ending seems a touch forced, this is nevertheless a sign that ‘Fifth Generation’ cinema is changing and coming to terms with up-to-date realities.

The story took place in Tianjin in the 1920s. The whereabouts of Zhou Pu Yuan, the master of the Zhou mansion, is unknown due to the involvement of the Jiangqiao incident. The housekeeper Lu Gui had no choice but to bring Zhou Ping, the young master of the Zhou family, from Wuxi to manage the property. Just when Zhou Ping was about to sell the Zhou mansion to pay off the debt, Zhou Pu Yuan came back and brought along a young wife, Fan Yi, who stepped forward to help Zhou Ping understand the debt problem, bringing the two young people together. However, the awkward mother-child relationship made them dare not face up to their true feelings, and the unstoppable pain tormented them more violently. (Source: Chinese = Baidu || Translation = MyDramaList)