Lidiya Dorotenko

Danila goes to his successful brother, Victor, in Petersburg to start a new life. Unknown to Danila, Victor is a contract killer, but is in hiding after asking for too much money to assassinate a Chechen mob boss. To avoid exposure, Victor convinces Danila to kill the boss instead.

Four present-day Russian men dig for Nazi memorabilia at a WWII battlefield. A wormhole lake sends them back to a battle in 1942 USSR.

Shattering the story of a talented former boxer. He lost his memory. He does not remember what happened yesterday. He can not sleep. Each morning starts with a clean sheet for him. The powers that be decided to use it in my game. As a bargaining chip. He will understand. And revenge. In one day, he needs to catch it.

The year is 1917. We are in the Russian countryside. It is the middle of freezing winter. A pale young, newly educated doctor arrives. Having to deal with one medical challenge after another he soon becomes the center of everyone's attention. To soothe the impressions of human suffering he turns to morphine.

Ivan Mazaev finds out that some children were left behind in a sinking school, and is slowly driven mad as he tries to save them. A parable on the theme of The Last Judgment, numerous catastrophic events reveal a certain ambiguity in their origins, accompanied by the terrible suspicion that the things going on are some kind of a performance or theatrical production.

Lisa is going through a divorce: her husband found a younger woman and left her with two preschool-age boys. Just when things begin to settle down after the breakup, Lisa receives a strange call from a woman that calls herself her aunt, despite Lisa's growing up in an orphanage and never knowing her relatives. The woman tells Lisa that her bloodline is under a curse that kills all of its offspring. The only way to escape the curse is to abandon the children. Lisa thinks it's a conspiracy her ex-husband planned to get full custody, so she throws the woman out.

This is the second installment of a three-part series of autobiographical films about the director's life. The first, which won various awards for its maker, was entitled Zamri Oumi Voskresni and was later retitled Zari, Umri, Vokresni ("Freeze-Die-Come to Life"). At the end of that film, set at the conclusion of World War II, the young Valerka was striving hard to overcome the inertia of just getting by, along with his sometime friend Galiya. In this one, he is adjusting to Galiya's death and is back in school and is living with his mother, a prostitute. After a girl at the school is found to have been gang-raped, the headmaster chooses Valerka to be one of the scapegoats, though he had nothing to do with the deed. The punishment seems mild enough, he was simply expelled from school. However, after quarrelling with his mother about the incident, he takes to the road, and discovers a society so bleak, degraded and hopeless that it is a wonder he remained alive.

Petersburg. A Selfie comprises seven novellas about the beautiful city of St. Petersburg, Russia, shot by female directors. The film tells a story of a real, living and breathing city, rather than a mythical phantasm. Each novella tells its own story about love and loneliness, luck and hope.