Michael Brynntrup

Lothar Schramm is a simple man with complex problems, yet he seems like such a nice guy. He works as a taxi driver and lives by himself where he is happy to answer his door to strangers and kill them outright. As with many shy loner types he has a problem dealing with women so he drugs them and photographs their nude bodies for sexual stimulation. He then murders his helpless victims and so goes the life of a deranged serial killer.

A short film by the German experimental filmmaker Michael Brynntrup from 1993. The film describes a surrealistic and absurd cycle of activities in a hermetically sealed cemetery from which the actors cannot break out.

Lesbian filmmakers from Berlin were asked to make a short film about their idea of male gay love and sexuality and, vice versa, gay men were given the task of making a short film about lesbian sexuality and eroticism.

Rhythm in the age of its digital producability - an oscilloscope loosely based on Eadweard Muybridge.

It's not about how a drag queen moves, it's what she sets in motion.

Brynntrup creates his own rococo version of the classical myth of Narcissus and Echo, a story of longing, love, and self-love. Brynntrup comments "A film in the form of a riddle is a special kind of entertainment film whereby the film’s content must be deduced from the film’s formal structure."

Immanuel Kant Hospital in Neukölln, Berlin. Midnight. A patient is being admitted. TV journalists are on the spot. The beginning of a story that tells itself. - And a self-portrait in broadcast and artistic media.

As said. - bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravissimo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo...