Fucking Different

Takes a close look at the surface of the human body. Photographed over the course of eight years, the film shows six men and one pregnant woman who… all exhibit their tattoos, piercings and scars. With spiritual concentration, a young man begins to actually pierce delicate parts of his body.

The joint high mess of 80s German underground: An exercise in exquisite corps (and in some cases probably also automatic writing) for which artists from both nations shot episodes from the Good Book - not necessarily following the text too closely.

Immanuel Kant Hospital in Neukölln, Berlin. Midnight. A patient is being admitted. TV journalists are on the spot. The beginning of a story that tells itself. - And a self-portrait in broadcast and artistic media.

A short film by the German experimental filmmaker Michael Brynntrup from 1993. The film describes a surrealistic and absurd cycle of activities in a hermetically sealed cemetery from which the actors cannot break out.

A film in the form of a riddle is a special kind of entertainment film whereby the film's content must be deduced from the film's formal structure.

Captures the violence and tenderness, alongside the dominance and submission, that is found in a single, intimate embrace.

Lothar Schramm is a simple man with complex problems, yet he seems like such a nice guy. He works as a taxi driver and lives by himself where he is happy to answer his door to strangers and kill them outright. As with many shy loner types he has a problem dealing with women so he drugs them and photographs their nude bodies for sexual stimulation. He then murders his helpless victims and so goes the life of a deranged serial killer.

What hast thou done? - The voice of my brother's blood is crying to you from the ground. - We are shown how God sows the seeds of discord and divides mankind into good and evil.

Safe sex in the 70ies. Bigger than life in 35mm. All you can eat in 5 minutes.

Photographer Jürgen Baldiga (1959-1993) and filmmaker Michael Brynntrup, - privat discourses and personal investigations of how to deal with images of life and death.

Explores the mobile meanings of language in film with the help of sophisticated telecommunications; an aural/oral offering.

Rhythm in the age of its digital producability - an oscilloscope loosely based on Eadweard Muybridge.

It's not about how a drag queen moves, it's what she sets in motion.

A queer karaoke video short from Berlin filmmaking icon Michael Brynntrup. Who is this thing...? Who is that girl...? Who is "The Girl From Ipanema"...? And: who sings the song...?

As said. - bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravissimo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo...

WALK / DON'T WALK / WALK. The rhythm of the nineties. A tribute to the vital New York drag scene and the "electronic" 90's that is also a remembrance of the Christopher Street queer revolt 30 years ago.

One day in 1984, Todd Bowden, a brilliant high school boy fascinated by the history of Nazism, stumbles across an old man whose appearance resembles that of Kurt Dussander, a wanted Nazi war criminal. A month later, Todd decides to knock on his door.

1947. On a beach, Madeleine, a waitress in a hotel restaurant, mother of a little boy, meets François, a rich and cultivated student. The force of attraction that pushes them towards each other is commensurate with the secrecy that each carries. If we know what Madeleine wants to leave behind by following this young man, we discover over time, what François is desperately trying to flee by mixing Madeleine's fate with his.