Carlos Magno Ribeiro

In a dystopian future, Joana tries to take care of her son, who contracted MYNOSY, the Mysterious Noise Syndrome.

A man awakes in an abandoned shed.Confused, he finds itself tied to a chair. Standing in front of him is an unknown man, who begins a weird speech about his unique professional ethics, until the conversation rovers to a new and tense situation.

Chef Jack and his assistant Leonard will travel through the Culinary Islands to participate in the biggest gastronomic competition in the world and, thus, try to defeat their opponents.

With script and direction by Pablo Villaça and starring the comedian Geraldo Magela, Morte Cega has as main character a failed filmmaker named Francis (Maurício Canguçu, producer and one of the main actors of the theatrical success "Believe, a Spirit Downloaded Me"). One night, Francis has a frightening dream about Magela, known throughout the country for playing the character O Ceguinho. Determined to make a short film based on this dream, Francis uses his producer friend, Martinho (Carlos Magno Ribeiro, who acted in Villaça's first short, A_ética), to get to the comedian. From then on, the meeting brings unexpected results for everyone involved.

A young student (Mel Lisboa), a literature professor (Felipe Camargo) and a wounded warrior who is always with his face covered (Sergio Marone) are three militants, who are confined in an apartment in Belo Horizonte. There they confront their emotional and political options, involving loyalty, betrayal and desire.

What child has never dreamed of having a double, someone who would do all of the annoying things in his place? Seeing his reflection get out of the mirror into the real world, this dream comes true for the fearless boy Fernando. Odnanref, his double, presents himself as a solution to all his problems. Adaptation of a successful Brazilian novel written by Fernando Sabino.

After the inauguration of a crematorium in the city, a widowed matriarch imposes her last wish on her children who, despite trying hard to fulfill their mother's request, face several obstacles and paradigms linked to family rituals.

The film explores the material evidence of modifications made to the DOPS building in BH for the purpose of political repression and human rights violations during the military regime and after it. The film also presents the narrative dispute that took place between victims of torture and DOPS delegates during the CPI of the prison system in 1997.