Carnal Utopia

Borderless Love is a romantic comedy about two couples - Pedro and Joana, Brazilians; Martin and Pilar, Argentines - involved in an involuntary couples exchange. Pedro and Joana turn a blind eye to each other's infidelity. Their daughter, Paula, a jealous teenager, distrusts the father and ends up discovering his case with Pilar. Pedro opts for the family, but without his lover, he becomes a burden at home. Tired of her husband's depression, Joana asks Pilar to return to be Pedro's lover. In the end, everyone's life takes on new paths, but they remain united. Borderless Love is a fun and romantic journey of self-knowledge in the lives of these characters.

The true story of a working class boy who moves to the nation's financial capital at a young age and becomes one the most influential politicians in Brazilian history.

The life and highlights of Marshal Cândido Rondon.

In the dark side of Rio de Janeiro, vampires deal vampire powder, which provides its users with a small taste of immortality. They work for Limbo Corporation, a company dedicated to the shady business, whose CEO is Limboman. Vlak and Michele reign supreme in the city. But Vlak has a restless spirit and decides to yank from his gums the fang chip through which he is monitored by Limboman. He has a mental blackout and starts to roam the city streets. Michele, searching for a new partner, meets Draco, a decadent vampire and former nemesis of Vlak. Their meeting encourages Draco to go back to the streets where he meets Daphne, a ripper psychopath who attacks her victims with a chainsaw. Draco joins her to find Vlak and avenge himself. Vlak, however, is abducted by Wang Su, a Chinese woman that is ruling the underworld in Rio. Wang Su wants to use Vlak to defeat Limboman and take over the command of the shady business.

A story about how football, cinema, photojournalism and intimidation with power can come together in a protagonist figure in Brazilian history: Luiz Carlos Barreto, better known as "Barretão". Narrated in first person, the documentary explores Barreto's view of himself, recounting his artistic and political trajectory, which blends with the history of Brazilian cinema as a whole.

Dálvaro José de Oliveira survived the German attack that sank two Brazilian ships in 1942.