Shiro Sasaki

Tetsuaki's struggling to write a novel while his mother fades; Mitsuko's engagement has been forced upon her unwillingly; the two individuals run away to share their grief.

Shortly after moving to the suburbs, the Kobayashis start to come undone. Convinced a family curse is at the root of their erratic behavior, the man of the house takes it upon himself to course-correct before it takes the last of their sanity.

An unknown future. A boy confesses to the murder of another in an all-boy juvenile detention facility. More an exercise in style than storytelling, the story follows two detectives trying to uncover the case. Homosexual tension and explosive violence drives the story which delivers some weird and fascinating visuals.

Mizuki's husband Yusuke has been missing for three years. He suddenly comes back home as a ghost and asks Mizuki to go on a trip with him. Their trip consists of visiting the people that helped Yusuke on his previous travel.

A widowed lumberjack's life is turned upside down when a film crew shooting a zombie movie asks for his help and increasingly starts to rely on him.

A sendup of the stereotypical Japanese family: dad is a salaryman jerk, unable to relate to anyone; mom is a hopeless housewife; the older son is a moderate academic success; but the younger son is a rebellious goof-off for whom a tutor must be hired. The tutor proceeds to blow the entire family apart.

A married couple of abalone divers must confront ruthless investors taking over their coastline.

A surreal, isolated village sees its inhabitants gradually leave behind their mutual traditions and superstitions as they leave for the city. Among them are two cousins who love each other and who get into a quarrel with other villagers.

During the fervently nationalist months leading up to World War II, a rebellious teenager is transferred to a new primary school in a small Inland Sea town. He vies with the school’s reigning bully, who takes a romantic interest in his older stepsister. When they learn she’s going to be sold to a brothel to pay off her father’s debts, they form an uneasy alliance to free her.

Struggling with money, violence and social pressure, a couple of youngsters are drawn to dangerous games of death.

A young student believes that the spirit of an alien from another planet has gone back in time, taking over his body to infiltrate and study humanity in order to find the reasons why our civilization is doomed to future destruction. He replicates the spirit of another alien in a girl that he meets, and together they use their video cameras to document modern urban Japanese society.

2 almost inseparable friends. The talented painter recognized by all decided to leave the town where they live and become an artist and the shy poet who only sees his future in his mother's business.

Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.

An ardent culture-vulture youth, previously charged for the murder of a woman when he was young, plans to hold hostage a local bank.

A woman has a fine life with rewarding work, a nice house, and a serious boyfriend in the lowlands of Japan. In walks her long lost husband who years ago disappeared and abandoned her. The wife allows her lost husband to secretly live in her house. More specifically, he lives in the wife's closet. The closet has a peep hole, so he does nothing day and night but watch his wife live her life.

In the near future of a Japan, the ancient 'Act of Vengeance' is revived and professional executioners are permitted to kill criminals by the requests from their victims. People who are to be executed are notified of the execution time and date in advance and they are allowed to have their own guard.

The life of a urban planning official and that of an old fellow student, now project developer, are turned upside down by a chance encounter with a beauty obsessed by UFOs.

Nanako returns to her hometown on the tiny island of Aguni to meet her grandmother Nabbie. However, when Nanako's ferry arrives, it is also carrying Nabbie's former lover, who has returned to Aguni after a long absence.

A student travels back to Kobe for the summer. Once there, he meets his friend Rat, hangs on the usual place, listening to the Beach Boys and meets a mysterious twin girl.

The lives of a young cop, a sanitation worker and a brooding pharmacist violently intersect on a bus that's hijacked by a suicidal political flunky, then cross paths again months later.

Out of the blue, a bourgeois family on the Sea of Japan finds an unconscious woman on the beach and decides to let her board.

Following a stint in reform school, Ryu (Shinsuke Shimada) returns to his home, the Minami area of Osaka, accompanied by his new friend Ko (Takeshi Masu). He's greeted by his friends, Chabo (Ryusuke Matsumoto) and Ken (Bang-ho Cho). They seek to forge their own path through a multitude of rival gangs in Kita and Minami, including the Hokushin Alliance, backed by the yakuza, the Hope Association, and various other minor factions, including Zainichi Korean groups. What follows is a wild, fast-paced story of violence, revenge, betrayal, and discrimination, that never loses its sense of humor.

In her brother's apartment where he died, Yuki finds a vacuum cleaner with its cord still hooked up to the outlet. She discovers that the circumstances surrounding her brother's supposed suicide are sketchy at best, yet no one has any answers. When she starts having hallucinations involving his ghost, however, she seeks some psychological help, eventually uncovering some things that she may have wished she'd left covered.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.