Some Kinda Love

Four young high school students who dream of being in a rock band must deal with the unexpected deaths of their friends while making concert decisions.

A boy and girl struggle to understand their place in 1980s Japan, retiring to copulate and probe each other for answers.

A series of short stories explore the connection of love between dogs and people.

A 13-year-old girl named Mai refuses to go to school due to her asthma. Her parents send her to to stay with her British grandmother in the countryside. Thinking her grandmother is a witch, Mai asks for witch lessons. Her grandmother plays along, but instead ends up teaching Mai lessons which help her become more responsible and enjoy the simple aspects of life.

Adapted from Shusaku Endō's novel.

A Japanese remake of the South Korean film of the same name.

The drama depicts the conflicts of elite police officers torn between career aspirations and justice.

Set in 1932, amid the rise of militarism after the establishment of the Manchukuo colony in Northeast China, the story centers on a trio of karateka. Studying under their aging master in a small dojo in the woods of central Kyushu, Choei, Taikan and Giryu face a company of kempeitai military police come to requisition their dojo for use as a military base.

After serving time for bank fraud, Kiriko now lives a quiet life as a taxi driver working night shifts... but her peace is shattered by a relentless stalker in a Land Cruiser.

Set in Tokyo, Ice brings her amnesiac older brother Haruo home from the hospital to care for him. He is reluctant to go, until Ice tells him that she is his lover. Since he has no memory of his sister Ice, he obliges her. How long until his memory returns?

A tough woman is dragging a weaker man deeper and deeper into crime. Woman cop Miki is chasing a wanted man when she stumbles on a crashed car and sees the driver, Koichi, ignite spilled petrol to kill himself and his passenger. She drags Koichi to safety, but the passenger dies. Miki says nothing to challenge the inquest finding of `accidental death', and when she visits Koichi in hospital he begins to understand that her complicity in his crime implies a sexual invitation. But a gumshoe has photos of the crash, and the only way to stall his blackmail is to kill him, the first of several murders...

Ryo once rode with a biker gang; ever since his friend Tetsuji died riding in September, he's retired from biking, trying to forget the past.

Toshihide works as a doctor at a clinic located by the sea. One day, he meets Ako. She looks exactly like the woman he admires. Due to her, his heart flutters. Soon, Toshihide realizes that Ako is not his ideal woman. A case leads to Ako to begin living with Toshihide and his family. Living with the warm-hearted family, Ako slowly regains herself and becomes a person with a truthful and honest mind.

Two young girls, Mitsu and Natsuko, share the same apartment. Natsuko is Lesbian and secretly in love with Mitsu. But Mitsu is heterosexual and has a boyfriend. In the hope of destroying the relation between Mitsu and her boyfriend, Natsuko seduces the boyfriend and also tries to influence him in other ways.

Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.