Gennady Karyuk

A single mother is confused by the changes in her teenage son, who has become distant since spending summer vacation with his father.

18 directors, 18 novels, 18 short stories about Moscow...

A man goes to see his former schoolmate working at a boiler house and persuades him to burn in the furnace the corpse of his communal flat neighbor whom he has just murdered after a quarrel. An orphaned girl gets a job in the archives of the maternity home to find out the identity of her mother who abandoned her years earlier. She finds her, befriends her and takes the first opportunity to throw her into the sea. An old intellectual tries to explain to the neighbor’s five-year-old daughter “all the abomination of her lumpen existence”. The girl feeling hurt for her mother decides to poison the old man with arsenic.

Country girl Nadia moves to the city and becomes a maid in Valya's apartment. Valya, who is a member of the local District Committee, does not know that Nadia fell in love with her currently absent husband, a geologist named Maksim, when he had visited Nadia's village during a recent expedition.

To earn money for married life, a young engaged man takes a job as an engineer on a privately operated oil drilling rig in the far North of Russia. A friend's letter brings the sad news that his fiancée has already married someone else and in desperation he quits his job and flies back to Moscow. There all his vast efforts to win her back seem in vain...

The film "Mama" is one of Gennadiy Karyuk’s first directorial works. It tells the story of two women who meet while on vacation. One lost her daughter long ago; the other bears a striking resemblance to her. Is it a mirage, a mistake, or fate? The director tells the story not through dialogue, but by prioritizing visual imagery and editing.

One of the southern cities of Russia during the NEP. The famous doctor and his wife are killed, the person living opposite Schwartz is kidnapped. The bandits were looking for gold. Then there is a diversion at the factory. The Chekists find out that a man is implicated in everything, posing as a businessman Bespaly, he is Lieutenant Voronov, aka “Chaly” - the leader of the gang. With the selfless efforts of the operatives, the gang manages to neutralize.

Day of the Full Moon, a series of vignettes from Russia past and present, summons the spirit of Ophuls’ La Ronde, Altman’s Nashville and Short Cuts, and the time-shifting strategies of Resnais (Mon Oncle d’Amérique) to tell provocative, connected stories illustrating the waltz of years and whim of memory. In 1948, a young man, a boy, and a waiter are captivated during the full moon by a mysterious woman in a lilac dress. The effects of this event ripple across the years, washing over more than 80 characters, including a disc jockey, a fairy princess, a gangster, Alexander Pushkin, and a nostalgic dog. But which of these are dreams, and which reality? Director Shakhnazarov continues his career-long focus on the intersection of past and present with this mysterious, exhilarating mosaic of humankind, which in the end both seduces and satisfies.