Raquel Jacinto

Summer of 1982, a beach in the south of Portugal. Rui and his parents live closed in their worlds, blind to the failure that characterizes them as a family and condemns them to the malaise of survival. Rui will have school exams but he is only interested in music and in the exploration of imaginary worlds that he constantly sketches in drawings. Only Joana seems capable of pulling him out of his autism. The girl's vitality fascinates him.

An unexpected meeting on Twitter, introduces young actress Luísa to António, a writer and journalist, who hides his identity using Rasputine as his profile name. This virtual relationship becomes the centre of their lives and one day, they finally decide to meet. But, on his way, António has an accident…

The mountain burns in the August heat. A firefighter falls, swallowed by the ground. The broken body survives as it can. Outside, the night descends.

Nora comes out of prison. She only has one thing in mind: finding a youg neo-punk artist she admires, Léa. Mirror of one another, these two soulmates will get to know each other and rebuild their lives together.

A hundred letters written by Portuguese women during the Salazar dictatorship were found by chance in a second-hand bookshop. By confronting today the women who wrote these letters with the ghosts of the past, and revealing important archive material, Letters to a Dictatorship takes us on an in-depth journey through the obscurantism that dominated Portugal for more than 50 years.

Developing from an idea of diptych, the story of Anajara and Allison is told from two perspectives in continuity. If late night work complicates the life of one of them, the incarceration in jail of the other determines a cycle of separation. Salaviza's skill to direct amateur actors is showed in this film, one of his more precise works.

Cinderella escapes at midnight, leaving behind one of her glass slippers. In the days that follow, the gay prince can't give up the idea of completing the pair.

This fictional documentary traces a poetic cartography based on the journey of a theater group to São Miguel, Natália Correia's birthplace, and Lisbon, where she lived most of her life. It passes through Botequim, Assembleia da República, Hotel Britânia, Teatro Micaelense, Parque Terra Nostra, and so many other places once inhabited by Natália and now by these actors who help us to unearth the myths, ghosts, and pains born in the life and work of Natália — one of the most important figures in Portuguese culture, literature, and politics, before and after April 25.

A technical problem aboard a transatlantic flight forces a plane to land in Porto Santo, the small island of Madeira's archipelago where, according to a legend, Christopher Columbus the 15th century navigator, lived for a while and entertained a sexual relationship with a widow and her nubile daughter. A girl photo journalist profits to stay the extra-needed days for repair, to visit the island - and eventually she'll become part of complex relationships among some of the secluded people of the island. Also, a yacht lost in the high seas in 1947 reappears from the misty horizon 50 years later - to unite Fanny and João, a contemporary navigator.

A girl answers a job interview and little by little her past is revealed and called into question.

In summer, the Portuguese countryside is ravaged by fires. Otilia struggles between her job as a pool cleaner and the need to take care of her mother alone. Stunned by this suffocating daily life, the flames awaken in her solitude, despair and the desire to escape.

Sofia lives a strangely isolated life in the old apartment where she grew up in Lisbon. Mariama arrives from Guinea-Bissau, having been hired by Sofia’s mother to help take care of the house and her son. The appearance of Bobô, Mariama’s younger sister, awakens in Sofia the desire to take a stand. The forced cohabitation between Sofia and Mariama forces them to confront their own private ghosts.

At Uz, an isolated hamlet in the northern mountains of Portugal, four generations live together in a group of around fifty people. When life is rough, solidarity is of the highest order. Everything else is left in God’s hands. They could have emigrated, like so many others, but chose to stay and keep their ancestral way of life, away from the racket of modernity.