Directing

A. Hans Scheirl

Born January 1, 1956 · Salzburg, Austria (age 70)

Hans Scheirl (born 1956) is a trans artist and filmmaker from Salzburg, Austria. Scheirl's films use "the cinematic apparatus as a technology for perverting representation". He outlines his work as "cyber-cinema for the trans-X patriarchal fin-de-millenium."

Known For

Dandy DustDandy Dust · 1998
Dandy Dust
★ 5.41998
MovieScience FictionAnimation
Dust, a split-personality cyborg of fluid gender, zooms through time and space in search of their own memories and a sense of understanding. They travel from the Planet of White Dust where war is constant, to the Planet of Blood and Swelling, a hybrid of their father’s body.
LustLust · 1988
Lust
1988
Movie
"This video film shows indecency in its modern form. While peddling naked female flesh was considered indecent in the past, we can see by the examples of today´s star athletes that skin full of advertising sells better. The same applies to politicians, of course, though in a more subtle way. Advertising on skin as the new indecency! I consider this film to be a continuation of my previous work with the body as a vehicle for social codes. While in the past it was religion that dictated male and female behaviour, which was also expressed in their physical appearance, business has now assumed this role. Business dictates physical behaviour, physical pressure in its most direct form, and even sets standards for how our bodies are to be represented. Religion no longer prescribes morality, that is now done by the global power of business, with its products and codes. Morality has found a new patron." (Valie Export)
BodybuildingBodybuilding · 1984
Bodybuilding
1984
MovieDocumentary
Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and it leaves the good-girl role far behind, sometimes in striking poses, sometimes in martial dress.
St. Pelagius the PenitentSt. Pelagius the Penitent · 1997
St. Pelagius the Penitent
★ 7.01997
MovieDocumentary
Whimsical and thought-provoking, this is the story of five friends, each on a unique gender adventure, and one of their long-lost ancestors, a medieval saint.
Flaming EarsFlaming Ears · 1992
Flaming Ears
★ 4.51992
MovieScience FictionFantasy
In the year 2700, a comic book artist encounters a mysterious alien while seeking revenge against the pyromaniac who burned down her printing presses.
Slocking WalkmanSlocking Walkman · 1986
Slocking Walkman
1986
Movie
These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality. Referred to by the filmmakers as "home movies", they record actionistic performances in the directors' own living quarters, with added soundtracks of intermittent percussive sounds.
Venus BoyzVenus Boyz · 2002
Venus Boyz
★ 6.02002
MovieDocumentary
This intimate look into the real world of drag kings -- women exploring their masculinity -- crosses continents, traveling through drag king nightclubs from New York to London.
The Drift of JuicyThe Drift of Juicy · 1989
The Drift of Juicy
1989
MovieScience Fiction
A possible staging of spaces; artificial places, in which the laws—of physical, social or cultural origins—are expanded, changed, ignored, perverted or transformed.

Filmography

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LustLust · 1988
Lust
1988
Movie
"This video film shows indecency in its modern form. While peddling naked female flesh was considered indecent in the past, we can see by the examples of today´s star athletes that skin full of advertising sells better. The same applies to politicians, of course, though in a more subtle way. Advertising on skin as the new indecency! I consider this film to be a continuation of my previous work with the body as a vehicle for social codes. While in the past it was religion that dictated male and female behaviour, which was also expressed in their physical appearance, business has now assumed this role. Business dictates physical behaviour, physical pressure in its most direct form, and even sets standards for how our bodies are to be represented. Religion no longer prescribes morality, that is now done by the global power of business, with its products and codes. Morality has found a new patron." (Valie Export)

Costume Design