A. Hans Scheirl

Dust, a split-personality cyborg of fluid gender, zooms through time and space in search of their own memories and a sense of understanding. They travel from the Planet of White Dust where war is constant, to the Planet of Blood and Swelling, a hybrid of their father’s body.

Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and it leaves the good-girl role far behind, sometimes in striking poses, sometimes in martial dress.

In the year 2700, a comic book artist encounters a mysterious alien while seeking revenge against the pyromaniac who burned down her printing presses.

This intimate look into the real world of drag kings -- women exploring their masculinity -- crosses continents, traveling through drag king nightclubs from New York to London.

Whimsical and thought-provoking, this is the story of five friends, each on a unique gender adventure, and one of their long-lost ancestors, a medieval saint.

These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality. Referred to by the filmmakers as "home movies", they record actionistic performances in the directors' own living quarters, with added soundtracks of intermittent percussive sounds.

A possible staging of spaces; artificial places, in which the laws—of physical, social or cultural origins—are expanded, changed, ignored, perverted or transformed.

In a black-and-white comic format three characters are tossed from life into death and back again into life. They flourish in the chaos of androgyny; they cultivate their perversity as if it were wealth.

Test images Amusement park, searchlight, precise displacements THE ROLLING FIELD: simulation of the open-air cinema, flying object on the runway Projection onto concrete objects, "disturbed colors" Construction site H-Gate: The H-PROFILE and THE U-PROFILE Maximum permissible total load: "Projection table on meadow, flying piece of grass, switching point pool" Short, dynamic partial films. The DRAWING SHEET is the zero level. Similar to the structure of computer software, the programs = partial films are announced in menu panels. The display lights up. The menu image, which is synthetically pulled out of the screen, reveals the scene that has already begun behind it.