Ami Priyono

Anna is a private tutor for Frans' two children who have just lost their mother. The mistress of the house died from being poisoned by Renita, her own younger sister. There she was seduced by Danny, Frans' brother-in-law who she initially rejected. However, love began to grow when Danny moved to Jakarta. Unfortunately, their letters were hijacked by Renita. Then there was also a declaration of love from Frans who eventually also died from Renita's poison.

Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.

Bing works as a radio broadcaster in a private-owned radio station, “Undur-Undur”, with Benyamin S. His work is causing relationship problems with his wife so he finds relief with one of his fans, Anna Mathovani. Bing helps her debut as a singer and realises his mistake when her boyfriend shows up. Luckily his wife misses him and they reconcile. The appearance of singers and famous groups in the film seems to be intended as a selling point.

A man is murdered, his wife is kidnapped and their young son is thrown into a ravine. The child grows up with a deformity and is known around the village as Si Bongkok ("The Hunchback"). After receiving martial arts training, he seeks revenge on the man who killed his father.

This first Indonesian international award winning film is about a story about a woman with her unhappy life who seeks for something.

The story of two sisters, one evil, one good. The evil sister will go to any lengths to inherit the family wealth

About hard life in Jakarta City.

At the age of 22 years of marriage, Mutia was attacked by liver cancer. This difficulty did not change the attitude of her husband, Affan.

Adapted from a popular novel with the same title, Karmila tells a story about a medical student who becomes pregnant after sexually assaulted at a party.

Dono, Kasino, Indro all find girlfriends through a dating agency. Although the relationships didn't do well for the three of them. And Dono is almost fired when he overuses the company’s phone to call his girlfriend, Rita, whose suddenly disappears and leaves a baby under Dono’s care. Comedy is then focused around the baby, reminiscent of the film, “Three Men and a Baby”.

Directed by Ami Priyono.

Miranti is left a widow after her pilot husband dies in an accident. She forces herself to work independently, despite feeling alienated. She soon learns that her brother-in-law Dimas cares greatly for her. Miranti ultimately realises that his feelings are more than just pity, and the two can unite.

This documentary was initially meant to give a chance to those who had not yet seen the musical “Untukmu Indonesiaku” by Guruh Sukarnoputra. The musical is shown here but not in its complete form. The director weaves the footage of the show with what happens behind the scenes, the rehearsals and also the process of creating the show. Guruh himself makes an appearance and tells how he learns the art of Bali. There is also footage of the beginnings of the Swara Maharddika group. The director reveals Guruh’s background and influences, including his father Bung Karno and Indonesia’s wondrous nature.

The sequel of Kejarlah Daku Kau Kutangkap (1986), tells Markum and Marni whose now have a teenage daughter while Ramadan and Ramona have a son. After years of marriage, Markum and Marni, still strive for harmony.

Set in the era of Dutch colonialism, Landlord Kedawung is devastated by his first wife’s death. But apparently, her death is something that the second wife, Zubaedah, has been waiting for.

Dedi (Dede Yusuf), who married Menul (Ayu Azhari), when they were very young, tries to make a living as a clown at an amusement park. This job does not pay enough for him to make ends meet, so he and a number of his friends try to find a way out of the poverty they are trapped in. The opportunity comes when they find a the wallet of a wealthy man, who is impressed when they return it to him, and provides them with the capital to open a food stall, which they use as a stepping stone toward opening a restaurant. Through this story, the director, Chairul Raya, attempts to depict the way of life of the poor, while using the subplot of the love story between the clown and his wife to display his disdain for the mainstream tendencies in the Indonesian film industry. This film is at once moving and humorous.

The story of a man who attempts to make his body anti-lightning and succeeded. This success interest the drug syndicate who later kidnaps him to make heroin concoction. The mastermind turns out to be a friend of the man. The man determines to defeat them all.

Anton is a student leader at his campus. His friends expect him to face the despotism of their lecturer, Yusnita. Anton takes this challenge without considering the risk of falling in love with Yusnita, their biggest enemy.

Intertwined stories of Joko, a boxer, and Rum, the daughter of a general.

Romi and Juli, junior high school friends, are in love with each other. But their parents; Sabar and Komar, are business rivals, and creates obstacles for them. Romi and Juli agree to run away from home and they get lost in a cave. Romi falls ill so Juli has to urgently find medicine. Meanwhile, their parents keep looking for them and finally make peace with each other after their children are found.

This movie is a remake of Pengantin Remadja 1971 original version which is also one of indonesian legendary love story movie such as Badai Pasti Berlalu, Gita Cinta SMA, etc. This Movie tells the love story among two of teenage kids unfortunately restrained by difference in social status of both family which are diplomat and farmer family. Some Scenarios have changed compare to original one which ends tragically. In the original 1971 starring by Widyawati and Sophan Sophian while in this remake Pengantin Remaja 1991 replaced by Vivi Samodro and Bucek Depp. The Musical illustrations are also impressive. Both of original Pengantin Remadja 1971 and this remake 1991 are directed by the same person Wim Umboh and music arranger Idris Sardi.

The story of two young people from wealthy families who are looking for their own individual identities. Ramona (Lydia Kandou), who hates the patriarchal attitude men have toward women, immerses herself in the lives of the less fortunate people around her. Ramadhan (Djamal Mirdad), who is descended from Malaysian nobility, is in Jakarta gaining work experience as a low level company employee. The two young people meet in Jakarta and begin to like each other. The blossoming romance between these two young people who are each keeping their backgrounds secret from the other conveyed in a light and humorous tone. Eventually, however, they find out about each others' backgrounds. Ramona backs off, while Ramadhan continues to pursue her.