Péter Tímár

One day, two unsuccessful rock musicians, Ede and Zaki, come across a competition. To commemorate the anniversary of the Institute for the Blind, they have to write a musical piece for the blind. Since there are no other candidates, they get the job. In two nights they put the piece together. However to their great disappointment, they find that they also have to teach the blind kids to perform it, if they want to get the money. Unwillingly they are submerged into the world of the blind; just like the spectator. While Zaki works on the musical in a studio, Ede starts rehearsing with the blind youths. A strange competition starts among the blind girls. They all fall in love with Ede, and the blonde Edith makes up her mind to approach him. But he fails as a director. He has no idea how to handle these people, so he soon gives up. However...

The movie is set in the actual "Ki Mit Tud?" talent contest in 1962. In reality the contest in dance music category was won by an army brass band. "Omega" which later became one of the most successful Hungarian rock bands came out in the second place.

Defoe, lacking fantasy of his own takes home the drunkard sailor from the pub and lets him tell his stories on the uninhabited island.

In the open-air cinema-like scenery domestic rock bands get time for a short movie clip each, linked by an also short musical frame-play. Each of the altogether eighteen clips is a whole film etude playing with visual-lingual associations, film ideas, revealing the back-thought of the songs, and on the whole sometimes melancholicly, sometimes ironically the hopeless, sad picture of the era can be distinguished.

In the box factory standing in the middle of nowhere only women work, and they themselves only waste their time, as the unmarketable boxes pile up in the yards. The fireman in duty, who stores stolen gasoline in the inflammable plant, sets up cameras in the women's locker room the sake of 'business'.

The 50 years old Ferenc rents an apartment on the Balaton beach, but it has a lot of debt on it. His plan is to make it profitable.

The twenty-minute film, divided into two parts, is made up of old newsreels and scenes recorded on the Budapest metro. The filmmaker places the celluloid tape, which is attached to the camera, on the trick table, examines the frames meticulously and cuts out individual details. The archival images are put into different contexts by different interventions.