The Pregnant Papa

The story takes place during World War II. Vitay Georgina is enrolled by her father, General Vitay, in the completely closed, residential Calvinist Matula Girls' Institute in the town of Árkod, on the outskirts of the country. He does not tell Gina why, as her new classmates would accept her, but after she fights with them over a silly game and betrays them, she is ostracised.

1946. Borok Vince, party secretary, and Holló Döme, former landowner, arrive in Nagybökény the same day at Easter. The latter wants to get back his castle and land with the help of his attorney. Albert József, the police-chief, wants to strengthen Communist power with tough actions. His R-guards disperse the clerical torch march.

A murder has been committed in a block of flats in Pest. Almost all the dwellers of the building behave in a suspicious way at the beginning of the investigation, although it is their everyday lapses they try to hide. In spite of the janitor's unpleasant comments, light is gradually thrown upon the case.

20-year-old Gida, having just survived his first amourous disappointment, falls for Katinka, the young widow, at first sight.

On the crowded train, the workers entertain each other by telling stories.

13 March 1965 (Hungary)

To celebrate Hitler's birthday, a soccer match is organised between the Germans and a group of Hungarian political prisoners, one of whom is a famous pre-war football star.

Upon his father's death, a Hungarian stage actor travels to Israel for the funeral and meets his stepmother for the first time.

The true story of Giorgio Perlasca, an Italian cattle dealer and avowed fascist who — trapped in Nazi-occupied Budapest after Italy's armistice with the Allies — nevertheless saved more than 5,000 Hungarian Jews from the Holocaust through a combination of lies, bribery and derring-do.

Ede (Dezso Garas) is in his sixties, and he is full of uncertainty about how he and his wife Kati (Mari Torocsik) will fare in the new post-communist regime in Hungary. At least before, he had some idea what he needed to do to get by, and even if he never made much money with his myriad schemes, they got by. Kati has got a real bug in her ear about their livelihood, and is hounding him to get into the spirit of the new system. This is troubling enough for the old gent, but when he runs into an old mistress (Kati Lazar) and discovers that he has a grown son he has never met or knew about, his life becomes even more confusing. His slimy ex big-shot brother-in-law (Istvan Avar) is a major player in the new entrepeneurial risk-taking, and he beseiges poor Ede with advice as well. In this topical comedy, all these worrisome things, and more, come to a head at a big family celebrtion.

Panni, coming from a landless family of ten and Miska have loved each other for a long time. The pretty Panni, however, has another suitor as well: Komáromi, the big farmer. The two men fight from time to time, but then, during the time Miska is serving his military duty, Panni marries Komáromi to end the tremendous squalor of her family.

From Bonaparte to Casanova, history is cast in the light of famous escapes from various European countries.

A Jewish ghetto in the east of Europe, 1944. By coincidence, Jakob Heym eavesdrops on a German radio broadcast announcing the Soviet Army is making slow by steady progress towards central Europe. In order to keep his companion in misfortune, Mischa, from risking his life for a few potatoes, he tells him what he heard and announces that he is in possession of a radio - in the ghetto a crime punishable by death. It doesn't take long for word of Jakob's secret to spread - suddenly, there is new hope and something to live for - and so Jakob finds himself in the uncomforting position of having to come up with more and more stories.

Winter of 1944, the last days of the war. When the roads and houses ceased to exist and the bottom of the cellars become filled with life, when fortunes were lost and countries burned up, her used coat was only important to Mama, the cloak-room servant of a local dance-school. Her son stole it to sell it for twenty pengő. He did it because Aranka Fussbaum's love cost money. There is no honour left in such a destroyed world. Yet still they start looking for that coat... (Elemér Ragályi won Best camera with this movie in Montreal, 1979, and in Budapest, 1980.)