Paola Krum

Gonzalo Romero, a young Argentine lawyer, struggles to find his place in a world ruled by pessimism. When his father and brother are assaulted by the nephew of a senator, he sets out on a long journey to bring the aggressor to trial.

A story about metaphor, exploring metaphor rather than a naturalistic or contemporary narrative, avoiding the discursive. It's not difficult to find the parallel between what happens and what actually happened: a family (us as a society) protected by a violent drunk (the government at the time), his wife and son, naked victims of their father's violence and impotence. The well-meaning bourgeois family (the cultural empire of good manners) seems to be restoring order when, in the face of such a situation, what they're actually doing is appropriating what they need under the guise of imperialist civilization. Reading it merely as a vampire story reaffirms this metaphor: out of our ignorance, we despise what conquers us, only for it to conquer us again without hesitation, with morality and good manners on its side.

Two Argentine sisters, Memé and Aneta, lose their mother in a car crash. Memé, the elder, is also left lame with one badly scarred leg. The orphaned girls go to Uruguay to stay with their aunts. The sisters often bicker, but they are actually very close. Memé flirts but has no luck with boys because of her injury... On their own now, Memé works as a waitress where she gets to know Andy. Returning to Montevideo, they meet Dolores, a friend of their late mother. Memé's affair with a man complicates her relationship with her sister. Then Andy invites the pair to his seaside retreat, a lighthouse.

The spiritual journey of a man with a debt that cannot be paid. In a Korean supermarket not too important, a small embezzlement is discovered. Luciano, a young man who works there, is pressured by the Koreans to return the money he stole in less than twenty-four hours.

Felipe, an aspiring actor, believes he is jinxed after an unfortunate event. His struggle to find the cause and cure of his jinx. His half-brother is not doing much better, but among the two of them embark on a mission to change their lives and fulfill their father's dream.

A young working mother in Buenos Aires, Ana reads a note suggesting a relationship kept hidden by her husband, an executive preoccupied by his job. To solve the mystery she travels a long distance to Rio Escondido, an unimportant river town at the foot of the mountains in western Argentina, and the film becomes a journey of discovery as she finds her heart and her passion. Along the way, truths and perceptions intertwine when Ana meets Martin and she learns who and what he is.

Pablo Nazareno is a 26-year-old guy who works at a science laboratory in a low work. After the mysterious death of one of the employees, weird things start to happen in the laboratory, and Pablo finds out that the lab may close. The arrival of Lucía Navarro, a beautiful computing expert, makes Pablo feel that he MUST discover what is going on in the lab... but this may put him in danger. There is only one thing that can give strength to Pablo: the love he starts to feel by Lucía.

An orphan who's working in a Mansion, falls in love with the owners' son.

Montecristo was an Argentine telenovela produced by Grupo Telefe, premiered on April 24, 2006, on Telefe, which achieved great national and international success.

Anthology series, in which every episode introduces fictionalized versions of real cases about women who, for different reasons, ended up committing murder.

Epitafios is a 2004 13-episode, Argentinian crime fiction TV mini-series with the tagline: El Final Está Escrito ... The End Is Written. The series, which takes place in an unnamed South American city, was shot in Buenos Aires. The series was produced by HBO Latin America and Argentinian TV/film company Pol-Ka Producciones. It was written by Marcelo Slavich and Walter Slavich and directed by Alberto Lecchi and Jorge Nisco. Although all of the actors were Argentinian, a neutral Spanish was used instead of the local Rioplatense Spanish, avoiding colloquialisms such as the local vos in favor of the more common tú. The series debuted in Australia on SBS in May 2007 under the title If The Dead Could Speak. It premiered in Poland on Cinemax on November 6, 2008. In Germany, it premiered on November 6, 2009 on pay TV channel FOX under the title Epitafios - Tod Ist Die Antwort.

An unexpected diagnosis forces a group of friends to rethink their life priorities.