Joyce Blair

A hard-bitten newspaper reporter is drawn back into the world of sleaze he had hoped to have left behind, and this time it goes right to the top.

A 1985 British made-for-television film based on the novel by Erich Maria Remarque, which was previously adapted in 1948 for a film of the same name with Ingrid Bergman and Charles Boyer. Dr. Ravic (Anthony Hopkins) is an Austrian doctor who helps Jews escape from the Nazis. In 1939, he meets Joan Madou (Lesley-Anne Down), a woman he saves from suicide, and their relationship flourishes until he is arrested as a refugee without documentation and realizes he has some unfinished business with the Nazis. After a prolonged separation, without explanation, the two are finally reunited and struggle to put their relationship back on the right course as mayhem breaks out all around them.

Locked in her cell, a murderer reflects on the events that have led her to death row.

A former burglar trying to go straight joins a rehabilitation scheme using much the same methods as AA. Through the process, he takes work as a department store Santa, where the endless parade of goods and money, not to mention the pretty young shop hands have him like a moth to a flame in no time flat.

A university professor opens a sexual Pandora's box when he hands his class an assignment to explore their deepest carnal fantasies and desires. As the students begin to plumb their secret passions, they find themselves propelled into an erotic world where theory soon yields to practice.

An international criminal arrives in London, and a detective is anxious to pin something on him for some unprovable murders of former lovers. The villain starts to suspect servants and henchmen of being a police spy known as "Number Six".

A couple inherit a hotel with no guests until their son's pop group turns things around.

Heironymus Merkin is an internationally successful singer approaching middle age who retells his life story in a series of production numbers on a seashore in front of his two toddlers and aged mother. Merkin's promiscuous relationships with women are explored, particularly Polyester Poontang and the adolescent Mercy Humppe. Merkin is constantly surrounded by a Satan-like procurer, Goodtime Eddie Filth, and an angelic 'Presence' who interrupts Merkin's biography with cryptic Borscht Belt-level jokes to denote births and deaths in Merkin's life. Newley periodically steps out of character to complain about his 'Merkin' role with an unseen director, two screenwriters, the film's producers and a trio of blasé movie critics who are turned off by the story's eroticism and lack of plot.