Bror Berger

John is the skipper of the Albertina which is moored in Mariehamn. Nearby is luxury yacht Sea Star, where Ann-Mari boards. She begins to take an interest in John and makes sure to come aboard the Albertina to meet him.

At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”

A police inspector tracks a notorious jewel thief, 'Diamond-Lasse,' to a hotel filled with eccentrics.

Theatre director Freddy Alsterberg has failed with his latest operetta. He decides to work his way over the Atlantic. His niece Tusse also stows away on the ship disguised as a boy.

A quick overview of Swedish film history, featuring a breathtaking cavalry of scenes from about 170 films.

Three Scottish officers, including Sir Archi, murder Sir Arne and his household for a coffin filled with gold. The only survivor is Elsalill, who moves to relatives in Marstrand. There she meets a charming young officer- Sir Archi- and she soon understands that he was one of the murderers.

Karin Daughter of Ingmar is a 1920 Swedish silent drama film directed by Victor Sjöström. It is the second part in Sjöström's large-scale adaption of Selma Lagerlöf's novel Jerusalem, following Sons of Ingmar from the year before, and depicting chapter three and four from the novel. The critical reception was however unenthusiastic and Sjöström decided to not direct any more parts.

About two girls sharing an apartment in the Old Town of Stockholm.