Ian Lomongo

In the wake of her husband's death, Chedeng, 66, decides to come out of the closet. Her best friend Apple, 63, beheads her live-in partner in a fit of rage. Bound by friendship, the two elderly women, together with the severed head placed inside a Louis Vuitton bag, set off an adventure to find Chedeng's ex-girlfriend.

Tuding sets out on a journey to a distant town to track down the man who got her youngest sister pregnant, and she’s not going home without him. A pancit western set in the late-1940s.

An embittered law student commits a brutal double murder; a family man takes the fall and is forced to take a harsh sentence; and a mother and her two children wander the countryside in search of some kind of redemption.

BIG BOY is a coming-of-age tale about a boy and his family in 1950s Mindoro, Philippines, and how he is groomed into becoming the poster boy for his parent's home-based business. The film is an experimental portrait of a family amidst change -- an experience that will engage audiences in something strange but familiar.

The Philippines, 1972. Mysterious things are happening in a remote barrio. Wails are heard from the forest, cows are hacked to death, a man is found bleeding to death at the crossroad, and houses are burned. Ferdinand E. Marcos announces Proclamation No. 1081, putting the entire country under Martial Law.

Madmen control Manila in 2034 after massive volcanic eruptions have plunged Southeast Asia into darkness.

To reimage, rewrite, and reread my country’s bastard history, using dismembered icons and scenographies that both affirm and negate remembered mythology.

In late 1970s Philippines, a military-controlled militia oppresses a remote village, spreading terror both physical and psychological. Fearless young doctor Lorena opens a clinic for the poor but disappears without a trace. Her activist poet husband sets out to find her.

With the imminent death of his autocratic grandfather, coinciding with the burgeoning oppressive regime of Ferdinand Marcos, Servando Monzon III, inheritor of the hacienda and businesses of his powerful clan, agonises on becoming the new feudal lord and capitulating with Marcos’ designs to control the Philippines. Aware of his clan’s long history of violence, Monzon knows the very violent history of his county and foresees a very violent future with the dictatorship.

A group of friends, prompted by the frequent sightings of Unidentified Flying Objects or U.F.O.'s in Zambales in the mid-nineties, decide to take a trip to the province to retrace the legend of the sightings. They then befriend a local, who they presume is their age group, not knowing exactly who or what he is. Little do they know that the local will become the spark that would threaten to ruin the friendship that has already been strained with many things that have been left unsaid.

Six single women and a priest's lives intersect when a bingo marathon is launched in their church for the barangay fiesta, turning expectations and relationships upside down and inside out.

A special little homeless girl travels about the Philippines curing the afflicted with her mysterious healing powers, until one day she befriends a sick old man who for some perplexing reason she is unable to cure. The unlikely pair are drawn to each other and their lives are forever changed by their unique friendship and magical journey together.

Porferia, who is 9 months pregnant, and her husband Felix, are abducted by the military and wrongfully accused of insurgency. Porferia's wild imagination and unsinkable hope carry them through the ordeal of torture, leading to their eventual escape.

Filmmaker John Torres describes his childhood and discusses his father's infidelities.

What can a family do if someone disappears in a dictatorship? You can’t go to the police for help or information. Many families were affected in this way by the cruelty of the Marcos dictatorship (1972-1986). The film shows one of them as an example of paradise lost.