Gudrun Houlberg

The young clerk Poul Wang is squandering his fortune on festive pleasures while being shadowed by a mysterious unknown figure. The following day, payment is due and Poul has to clandestinely visit a local loan shark. The growing interest rates tempt Poul to steal from his workplace, but he is discovered by a watchful colleague. In desperation, he robs his own family’s savings, narrowly avoiding being fatally shot by his own wife, who mistakes him for a common burglar. Just as everything looks impossibly bleak, the mysterious stranger comes to the rescue. (Stumfilm.dk)

Poul and Alva have been married for a few years when dark clouds begin to gather over their marriage. The dream of having a child doesn’t come true, and the couple drifts further and further apart. Alva escapes into her great passion – music, while Poul becomes embittered by the injustice of fate. When he meets the smiling and cheerful Eva, it doesn’t take him long to forsake Alva and enter into a new marriage. Yet Poul remains unhappy, for Eva is a spendthrift who knows nothing about housekeeping. Alone and abandoned, his thoughts begin to wander back to Alva, the love of his youth. Has he been deceived by the illusion of happiness? Stumfilm.dk

The circus clown Joe Higgins is scouted by a world famous artist agent, who promises him fame and fortune. Joe takes the offer on one condition: His fiancèe Daisy and her parents are coming with him. Soon, Joe finds himself performing on the biggest stages in the city, enthralling his audience night after night. But the glamorous life in the big city is no fairy tale after all.

Silent film

About all the complications that can arise when women appear in men's costumes, even if it's to save a friend in need.

In 1911 the German poet Hugo von Hofmansthal wrote a new version of the medieval morality play Everyman, and this was staged in Danish translation at the Royal Theatre in Copenhagen in 1915. At the time, it was radical example of symbolist abstraction. Its success inspired a film version, Enhver [Everyman], directed by Vilhelm Glückstadt for Filmfabrikken Danmark. The film, however, was set in a modern-day environment. It depict the moral choice confronting its protagonist at struggle because two attendant spirits, one good and one bad. The protagonist is tempted by dark figure of evil and succumbs, rejecting God and leading a life of iniquity, but he is then haunted by guilty visions until he finally dies, asking God for forgiveness at the last moment.

A tale of murder and marriage in 1625 Denmark.