Lo Yuen

Hitomi still mourns her fiance who died in a car crash. One day, during a visit to Hong Kong, she bumps into Karbo who looks uncannily like him. Karbo, however, is a fugitive from the police.

Joey was at the age of twenty-two and she was an independent and cheerful girl. She worked in an advertising company and she met a boy named Chiu Kwok Chiao who had just returned from America. Chiu was at the age of twenty-four. He seemed childish, when he met Joey, he fell a victim to her beauty. After a period of time they were in a low spirit because Joey was more intelligent than Chiu. Lui Lai Ho was Joey's mother and she was forty years old.

Hell may have no fury like a woman scorned, but hell really has no wrath like a lusting ghost scorned! Muscular "Venom" Lo Mang discovers just that when the demon arranges to have his true love killed in order to possess her. Chaos, revenge, insanity, violence, tragedy, and even romance ensue. Director Kuei Chih-hung, already famous for Bamboo House of Dolls, Killer Snakes, Ghost Eyes, Corpse, Hex, and many other cult classics, shoots the works with this amazing horror love story.

While out enjoying a seaside picnic with her fellow officer boyfriend, policewoman May becomes possessed by a murdered little girl spirit who immediately unleashes violent rage within her.

The plot follows a group of women who struggle in Hong Kong, most of them illegal immigrants from mainland China.

The bored wife of a philandering doctor takes a pleasure trip with a lesbian friend the Seoul. There, she becomes involved with a mysterious young man who might just be deceased.

Drama by James Wong Jim

An omnibus of tales from the three directors, Sit, Maka and Woo. Each dealing with true love and romance. The third and the best one of the tales deals with a hen-pecked husband trying to kill his wife. An action packed tale written and directed by John Woo who lets the fireworks fly!

Hong Kong horror film.

Ko Ming Chung, a wildly popular movie actor is having an illicit affair with similarly popular thespian Ai Ling. Though Ming Chung's wife quietly puts up with this infidelity, so long as he does not try to leave her, Ai Ling's spouse is less forgiving, a middle-aged oaf prone to violence. When the tabloids get wind of the liaison, the two secret lovers find themselves headline news throughout the colony. Ming Chung's wife soon starts to mount a media blitz, painting Ai Ling as a husband-stealing, home-wrecking shrew.

A Cantonese Comedy directed and written by Wei Ping-Ao.

A wedding videographer falls in love with his client's new wife.

Miu Kam-fung, who plays the film’s titular character, addresses her identity as housewife and actress in Patrick Tam’s commentary on the dangers of rampant consumerism, seen as a defining moment for contemporary Hong Kong. In its studied references to Godard, Tam’s work buzzes with modern life—supermarkets, billboards, television—and juxtaposes these references with questions about marital infidelity, middle-class morality, and even political sentiment.

The first episode of the Hong Kong reclaimed “Social Worker” series (1976)