Inti Cordera

A decade after the murder of her daughter Fátima at the age of 12, the victim of a brutal femicide, Lorena Gutiérrez takes a stand outside the National Palace to demand a meeting with Mexico’s first woman President.

It is said that Nobel Prize winner Gabriel Garcia Marquez never allowed for a film adaptation of his singular masterpiece 'One Hundred Years of Solitude', arguably the most influential novel in any language of the second half of the twentieth century, to be produced. However, the prolific Colombian writer had strong ties to the movies.

A deeply human portrait of the chaotic reality of the US - Mexico border. Full of stunnig images and crafted like a classic city-symphony where the sum of the pieces add up to a larger whole, Purgatorio, a Journey Into the Heart of the Border brings together a universe of small stories to create a compelling and visceral cinematic experience that takes audiences into the very soul of life on the border.

A look at the renowned writer Roberto Bolaño, and the turmoil caused by his strange relationship with Chile, his homeland. We approach the writer through his friends, his irony and his genius, traveling across Mexico, Spain and Chile.

Driven by desire and desperate for self-love, Coral and Nicolás will abandon their past lives in a journey surrounded by murder.

The documentary takes its inspiration from the music made near the Tesechoacán River. A group of elders, who do everything in their power to preserve their culture and tradition, teach young people music.

Mexico DF.; 70's. 30 buildings. 904 apartments. 5000 people. 3,000 exiles. Alejandra, 3 years old, Chilean. Pablo, 2 years old, Argentine. Villa Olímpica, your place in the world. Years later, end of the dictatorships in the south. The return of the parents is the exile of the children. The largest exile community in the world becomes a diaspora. Leave everything behind and start over.

Borders have defined Sansón’s life. There’s the physical and psychological border between Mexico and the US. And now, looking at a life behind bars, there’s the one that separates him from his loved ones. Since it is forbidden to film inside the jail, Reyes recreates Sansón’s life – with the help of his family – through letters and by casting an untrained actor to play his friend. The resulting film is a reflection on migration, the notion of family, what it means to see one’s life on film, and the harshness and injustice of the US prison system.