Lana Goghoberidze

This somber story of love lost forever is set against the backdrop of the changes that Communism brought to the state of Georgia in the former USSR after the 1917 Revolution. Eva and Archil are deeply in love and they pledge to be with each other always. After they marry, Archil dies suddenly and Eva is left alone and childless. Along comes the ruthless Spiridon who romances Eva and marries her - though his cold and cruel spirit break Eva's naturally buoyant self, until she sullenly eats alone, and avoids intimacy with her husband as much as possible. They adopt a daughter, who does not take sides between her glum mother and silent father. When the Communist cadres enter their village to promote the ideals of the October revolution, Eva starts to warm to her husband a little because he joins in that movement. Then her husband commits the fatal error of revealing a previous crime - an error that will later cause their grown daughter to question her parents' strange behavior.

A theater director with a normal middle-class life in Tbilisi becomes increasingly disturbed after witnessing a murder, obsessing about whether he could have done anything to prevent it.

Sophiko, a well-known journalist, seems to be more close to many of her respondents when they need her advice than to her family members. All engrossed in her work, she suddenly finds out that she is losing her husband who has started a love affair with another woman. Of course, it strikes her badly but life never lets her to concentrate on her personal problems.

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

The story of VGIK teachers and students about the acting profession.

Tamara looks after and old woman, Paola, and sends money to her husband and three kids. Suddenly her husband, Valiko dies in an accident. As an illegal immigrant, Tamara can not go to mourn him and decides to do it by cell phone.

Greatness paired with modesty: 93 years old and a daughter, world-famous director Lana remembers her mother Nutsa, Georgia’s first female filmmaker. A cinema legacy that revolves around being human in dark times: feminist, loving, critical of violence.

A three-part feature film by Georgian director Lana Ghoghoberidze, dedicated to the 40th anniversary of the Soviet Union. The film is based on Leo Qiacheli's short story "Princess Maya" and Archil Sulakauri's novels "Doves" and "Fresco". These three stories are separated by a 20-20 year interval (1921, 1941, 1961).