Peter Malberg

The Danish Ingen tid til Kaertegn (Be Dear to Me) is heavily reliant on the appeal of its star, 8-year-old Eva Cohn. Our heroine is the neglected child of a businessman father and actress mother. Feeling that happiness lies well outside her own backyard, Eva goes on a search for that happiness. The longer she stays away, the more her parents realize that they've unfairly ignored her. The plot is nothing new: it's what is done with it that pleases the eye and ear. Ingen tid til Kaertegn was one of the more popular entries in the 1957 Berlin Film Festival.

The popular Danish family are vacationing on the island of Bornholm. Unfortunately, they have not been able to get hotel rooms, but Tiny Per, always resourceful, have come up with the idea that they must sleep in a tent. Father and Uncle Anders are not quite enthusiastic about the idea, but there is nothing else to do.

The Lord returns home to his estate after a stay abroad. The strongman and exuberant person he was has been peeled out of him. He has good manners but is devoid of manliness and human courage.

Ranged across several generations, the story begins with a wealthy merchant, Lind, and his wife travelling in the coldest depths of winter to christen their baby daughter. Attacked by wolves, they lose the baby, which is found by the Lapp Jaampa (a dominating performance by Tryggve Larssen) and subsequently raised by a rich reindeer herder,

A really nice mood bomb from Danish films golden age in the comedy genre! Peter Malberg is the somewhat goofy - but very much in love author Peter Strøm. He has fallen for the publisher's daughter, Else Fischer (played by one of the 30s biggest divas, Gull-Maj Norin). The same has just happened to the bright journalist Fritz Faber, who also intends to fight for the young Else. Naturally, this creates the classic intricacy and it all happens on board the Great America-steamer.

Even the greatest screenwriters suffer from writer’s block, and the only cure is an impromptu trip to Paris. And so, comedy writer Jonas Lenner flees the suffocating monotony of home. Jonas tells his wife that he is going to visit head teacher Mikkelsen, an old – and fictitious – friend in Springfield. But of course she learns the truth yet says nothing. All hell breaks loose shortly after Jonas’ return, when a certain head teacher Mikkelsen suddenly manifests in the flesh on his doorstep

In the idyllic provincial town of Gammelkøbing lives Emanuel Thomsen, known as Thummelumsen. It is his great dream to buy the Møllegården, which was once owned by the family, and for 15 years he has been scrimping and saving to get by. In the meantime, he has been followed by several hopeful female glances, because even though Thummelumsen is no Adonis, he is full of energy. And when one day he wins 12,500 kroner in the lottery, everything seems to be going well. But then the bag is shaken once again...

A poet has run out of ideas for his film script, much to the chagrin of himself and the film factory's director, Mr Meter. In a dream, the poet delivers the perfect script. (Stumfilm.dk)

After his father's will stipulates he must marry Bella Wilfer to inherit his fortune, John Harmon fakes his death to avoid the marriage and the threats on his life. He returns as John Rokesmith and becomes the secretary for the Boffins, who inherit Harmon's estate following his alleged death.

When Consul Bjørn is unexpectedly summoned to a meeting in town, he leaves his wife home alone in their luxury villa. At the same time, a cunning criminal has escaped his pursuers. His gang of robbers overpower the consul, steal his clothes, and the ‘Face Thief’ impersonates the consul so that he can rob the family. But justice is served in the end, and the identity theft is revealed. (Stumfilm.dk).

Shipowner Holm’s young wife Grete has a head full of romantic ideas. Holm is particularly irritated by her interest in the poet Lorens Bøllemose, who has almost moved in with the couple. With the help of a friend, he plots a shipwreck during an excursion on the Øresund. Stranded on a deserted island with both men, Grete comes to realise that she prefers her manly spouse to the romantic poet. (stumfilm.dk)

A bunch of wagons are crossing the border. It's the Karla Circus, which, after a rough season in Germany, is gonna try its luck in Denmark. Mrs. Karla, the beloved and respected circus director, goes through passports and papers with the customs officers... everything's fine, so the circus caravan can keep going to the next town. One of the circus employees is caught harboring a vagrant in his wagon. But when it turns out that the vagrant is an excellent flute player, he becomes an asset to Circus Karla.

Niels Pind is a drunkard who is exploited by some of the town's residents. This comes to an end when his son, Jens, returns from America with a lot of money. Jens buys the local estate and starts extracting gravel from the ground. He quickly gains a bad reputation in the area because he only thinks about money. Niels Pind disowns his son. However, Jens changes as he falls more and more in love with Ingrid.

Due to his gambling addiction, farmer Hans Sværke has brought his farm to the brink of bankruptcy, thereby opening up the opportunity for the wealthy landowner Karius to achieve his goal of taking over the farm. However, parish bailiff Mikkelsen vouches for Sværke and saves him for the time being, and Sværke then leases the farm. Sværke dies, and his talented son Niels takes over the lease. He and the farmer's daughter, Grethe, are happy together, and Niels manages to get her hired at the farm. But Karius' daughter, who is in love with Niels, burns with jealousy and persuades her father to take advantage of Niels' difficult financial situation and take over the farm. Things look bleak for Niels, who has been cornered by the wealthy landowner. But one day while plowing, he sees something glinting in the soil...

Hilleborg always speaks negatively about her king's marriage to his left hand, Countess Danner. When it is rumored that King Frederik VII and Countess Danner are on their way to Hilleborg and her husband, Niels Parsberg's estate, Hilleborg refuses to be in the living room with the Countess. She switches roles with the housemaid, Lise Sørensen. Lise and Countess Danner quickly become good friends, while Hilleborg's situation worsens when the king decides to spend the night at the estate.

A young man journeys from a difficult childhood to maturity, exploring social injustice, personal development, and the complexities of human relationships.

At the Gästhaus "Den Hvide Hest" in the Austrian Alps, romantic entanglements are in full swing. Waiter Leopold is in love with landlady Josepha, who has her eye on charming manufacturer Sigismund, who in turn hits on all women almost as a matter of principle. Klara and Lene also join the battle for the popular manufacturer, while waiter apprentice Mickey would rather just have a goat.

The stubborn and reclusive Kresten Flint lives alone on "Flintegården" with his daughter, Else, who is kind-hearted but not quite normal. One day, the young farmer Jesper Poulsen arrives to propose to Else. His girlfriend has let him down, so he comes with honest intentions—to be good to Else and get the farm back on its feet. Else gives birth to twins, two boys, Viggo and Martin, but she dies in childbirth, leaving Jesper alone with his two boys. Viggo and Martin grow up to be two handsome men who are also inseparable friends—until they fall in love with the same girl...

In 1911 the German poet Hugo von Hofmansthal wrote a new version of the medieval morality play Everyman, and this was staged in Danish translation at the Royal Theatre in Copenhagen in 1915. At the time, it was radical example of symbolist abstraction. Its success inspired a film version, Enhver [Everyman], directed by Vilhelm Glückstadt for Filmfabrikken Danmark. The film, however, was set in a modern-day environment. It depict the moral choice confronting its protagonist at struggle because two attendant spirits, one good and one bad. The protagonist is tempted by dark figure of evil and succumbs, rejecting God and leading a life of iniquity, but he is then haunted by guilty visions until he finally dies, asking God for forgiveness at the last moment.

A romantic comedy about Ingrid, the innkeeper's daughter, and Karsten, the landowner, who are in love. Ingrid's father is strongly opposed to the relationship because of an event that took place 40 years ago – and the estate's financial problems don't exactly help matters. Then three very different people arrive at the inn. The poet Ole, the Supreme Court lawyer Aagesen, and the record producer Blanquet. With their help, the landowner solves his financial problems and wins Ingrid's heart.

Due to his weakness for women and gambling, the old landowner Vilhelm Stone has ruined his marriage and lost his son and friends. But when he dies, his son Niels returns home from Australia to take over the estate. However, it is not that simple. Lawyers drag out the inheritance case, and initially Niels only inherits the racehorse Ibrahim. Niels is determined to win the big race of the year at the racetrack, and it is here that Poul Reichhardt sings the famous schlager Ibrahim to his horse. In the battle to get the family estate, Niels gets incredible help from his faithful companion, the farmhand Nicholajsen.

What would you do if you found 20,000 Danish kroner? Just like that? In a woman's purse? And what if no one was looking for it? In other words, if you had the chance to pocket 20,000 Danish kroner, tax-free? Wouldn't you be tempted? The main character in this film is tempted. He is a taxi driver and has a happy family life, but he is struggling financially.

Peter Blom, called Lynet, escapes from prison, and at the same time the unemployed actor Poul Quist sees his portrait in the newspaper, in connection with a film company wanting to make a film about Lynet, and is looking for someone to play the lead role. Since the resemblance between Blom and Quist is striking, Quist approaches the film company and then the pranks start to take off, when Quist pretends to be Lynet. The film director thinks that he really is Lynet and sees a sensation by giving him the role.