Ramón de Diego

When half-breed Indian Yaqui Joe robs an Arizona bank, he is pursued by dogged lawman Lyedecker. Fleeing to Mexico, Joe is imprisoned by General Verdugo, who is waging a war against the Yaqui Indians. When Lyedecker attempts to intervene, he is thrown into prison as well. Working together, the two escape and take refuge in the hills, where Lyedecker meets beautiful Yaqui freedom fighter Sarita and begins to question his allegiances.

When Mexican revolutionary leader Quintero is left to rot in jail by the forces of President Diaz, it's up to his subordinate, Max, to bust him out. With $600 in hand, he crosses the border into America and hires Chris Adams, a mercenary of considerable skill, who uses the rest of the cash on more hired guns. After the team is rounded out by experts on close-combat fighting, explosives, and knife-throwing, they set off to free Quintero.

In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.

Noon is a gunfighter who has become amnesiac. Helped by Rimes, an outlaw who has befriended him, he tries to figure out who he is actually. It gradually appears that his wife and kid have been murdered. As time goes by, Noon also recalls a fortune hidden somewhere. Niland, a scheming judge, and Peg Cullane, a greedy will do everything to prevent Noon and Rimes from achieving their end while Fan Davidge, a woman living in a ghost town, will support them.

A woman recalls her childhood growing up in the North of Spain, focusing on her relationship with her father.

A henpecked housewife ekes out a meager existence, surrounded by a host of colorful characters: her ungrateful husband, her delinquent sons, her headstrong mother-in-law, and her sex worker neighbor, among others.

The young but traveled Ana arrives in a manor in the countryside of Spain to work as nanny of three girls and finds a dysfunctional family.

Angela is a young waitress who turns her back on society when she meets and falls in love with Pablo, a reckless criminal delinquent. Along with Pablo’s gang of car thieves, the pair embark on a drug and disco-fueled robbery spree as they hurtle toward oblivion.

Pirates take over a lighthouse on a rocky island. They then execute a devious plan to cause ships to run aground, pillaging their wrecks. A lone member of the lighthouse crew survives, and he deperately fights their plot. A shipwrecked maiden that avoids the pirates slaughter soon complicates the situation.

Joan Mares obsession for the lovely and luscious Norma Valenti takes epic proportions because he cannot let go of her. After he is injured by some skin heads, he uses his scars to pursue his life as a street musician. He devices a plan to get to Norma and she never catches on to his deceit, except she realizes that as Juan Faneca his performance in bed is exactly what she had experienced with Joan Mares because she concludes they were taught sex by the same prostitute.

César and Pilar tour the Spanish countryside with their bus, showing films and doing magic spectacles in small villages. In one of these trips they find Saga, a beautiful young woman who starts to travel with them and changes their lives in unexpected ways.

The relationship that botanist Angel establishes in his mind between plants, their stems, petals and pistils and the legs and feet of women, is the common thread of a plot that mixes sexual passion, love, greed and picaresque through a study of characters and situations.

Julián, a middle-aged single doctor, is reunited with Pablo, a childhood friend who has just married Elena, a beautiful young woman.

Juan Sahagún, since childhood, feels passion for his mother. One day in the street he sees a woman identical to her. He follows her and finds out that she works as an actress in a theater company, so Juan decides to hire the whole company to represent the people who have influenced him in his past. They recreate the same situations of yesteryear and Juan acts as the child he was, to relive the memories already forgotten.

Seville, November 1, 1990. Tenorio goes out of his grave, as every year. Similarly, Juan Marquina, a great actor, makes the general rehearsal of a musical version of the play. Since that moment, two worlds come together in a circle of adventures, facing both Don Juans, helped by four beautiful women with decisive influence on their destinies.

Luke, an escaped convict, and Jaroo, a loner gold prospector, team up with a band of Apache Indians in 19th century Mexico to capture a large, heavily armed fortress for the millions -- or billions -- of dollars in gold that are rumored to be stored within. Written by Brian C. Madsen

A dance troupe prepares for and completes a dress rehearsal of Federico García Lorca's tragic play "Blood Wedding," which is about a bride who runs away from her wedding with a former boyfriend.

In a town near Salamanca, an eccentric widower, aged 60, is captivated by an imp, a precocious 13 year old. Alejandro is wealthy and alone, passing time with music, chess, and his shotgun. Gregoria (Goyita) the daughter of a weak-willed policeman and his bullying wife, is a budding naturalist who conspires to meet Alejandro. Even though he knows the village is talking, Alejandro spends time with Goyita, on walks, horseback rides, and dinners. He's enchanted and tells his friend the village priest that he's living for the first time. Goyita makes new demands on Alejandro, and he must decide how to be true to his ethics and to this Platonic yet highly-charged relationship.

Carlos is a young student, just 21. Nice or annoying as he likes, enjoys provoking and transgreding. In the night he goes out to meet his friends in the Kronen, a bar. Every situation can be taken a little farther. There are no limits, no accepted barriers. And more each time, each adventure is chained to the next, as if it were a continuous night. A long description of people: grandfather, parents, sister, girlfriend, friends. And, among that, the obscure will of living every minute as if it were the last one. But something which happens puts Carlos and his friend against a reality they have been trying to ignore.

An outlaw tries to avoid interference as he journeys to Mexico to pull off a $2,000,000 gold robbery.

A group of generals of the army meet for a course about NATO and new weapons. In the beginning everything is normal but as the time passes they behave more and more like school children.

During a long summer, the tranquility of a couple and their three children resting in a country house is altered with the arrival of the children's uncle, a character who exerts a curious influence on the boys and a morbid and strange attraction the wife. Twelve years after 'Los viajes escolares' (1973), his first commercial feature film, the Madrid director Jaime Chávarri returns to the same estate in the province of Segovia to shoot a new family story, about his own plot and script. Like its predecessor, 'The Golden River' contains a strong autobiographical charge and is full of personal resonances. But this new history of family ties is narrated from a perspective in which adultery manifests itself openly. Endowed with a slow narrative rhythm, the film presents an international cast headed by Ángela Molina, Bruno Ganz, Francesca Annis and Stefan Gubser. The film also has the presence of a very young Juan Diego Botto, in one of his first appearances on the big screen.

Teresa and Peter settle down in their new home after the wedding. Things are going well until her childhood furniture arrives, sending Teresa into horrible flashbacks of turmoil from memories of her youth.