Iti Mrinalini

Krishna Patil is a poor, unemployed, unsuccessful and short tempered youth who stays in a chawl with his father Ramakant and elder sister Mansi. He tries to secure a job in the police department but fails. One day he happens to meet Kavita Choudhary, a young, rich, beautiful, intelligent lawyer. He falls for her instantly and begins wooing her. Kavita, having recently lost her father, stays alone and feels lonely and depressed. There is a certain void in her life. She is looking for someone to share her loneliness and an unemployed Krishna suits her requirements perfectly. Hence she accepts him as her boyfriend despite his mediocre looks, poor family background, jobless status and lack of personal hygiene.

A young man still to find a place in the sun puts up an innocent bluff to a young girl he chances upon. They meet frequently since then. Bluffs continue to pile up. There is no way out. In a desperate bid the young man tries to break the wealth barrier. His friend, well placed in life, cautions him. He turns a deaf ear. The inevitable happens. The young man grows wiser but pays heavily for it.

Sagina a factory laborer,an aggressive, honest and lovable character who was the first to fight against the tyranny of the British bosses in the Tea gardens of North-Eastern India.

A 1971 Bengali Drama Film directed by Salil Dutta, featuring Soumitra Chattopadhyay & Aparna Sen in lead roles.

Mrinal Sen is in his early days around the time of India’s independence, where he is a struggling idealist with an all-consuming hunger for cinema but unable to feed himself or his young wife, to 1950s Calcutta, where (alongside Satyajit Ray) he helped start the Indian New Wave cinema movement.

Ahmed and Mohan Kumar Saxena are petty thieves, and con-men. They career is spent as false witnesses near the Bombay courts, where they get paid a set sum of rupees for false depositions. This changes when they meet and are influenced by Kabir Das, and decide to go straight. They find that it's virtually impossible to earn a living as honest citizens. Then Kabir Das is arrested and imprisoned by a murder he claims he did not commit, and the duo promise to help him, and find out who the real killer is, but they themselves end up getting in trouble.

Four famous directors and old friends are reunited together by an unknown producer to make a film. They have to make four short story in this film with one common theme: Death.

After the marriage of her niece, an Anglo-Indian school-teacher, Violet Stoneham, lives a lonely life in her single room flat located at 36 Chowringhee Lane in Calcutta. When a former student starts visiting her with her boyfriend, Violet welcomes them eagerly.

Four friends from Calcutta who have very different personalities make a holiday excursion into the country, to a tiny village in the state of Bihar where they set themselves up in a bungalow. A series of minor events, all connected to their respective reactions to their new environment, reveals their characters more deeply.

Mahendra Kumar Choudhuri, the middle prince of the Bhawal Estate was affected by syphilis and was taken to Darjeeling for treatment. He apparently died in Darjeeling and was cremated there. After 12 years, a Sanyasi shows up at the estate, arousing people’s curiosity and leading to a rumour that he is the lost prince of the Bikrampur Estate.

Life for a shy young Indian student slowly falls to pieces during a family road trip.

Mrs. Iyer and her infant son are traveling to Kolkata with the help of photographer Rajah. When religious tensions flare up and the bus travelers become stranded under martial law, she makes a choice to save him that entwines their lives.

Shasanka is a retired teacher who lives with his wife and two daughters. The family is thrown into an uproar after he goes out for a walk and disappears from their lives. Each member of the family reviews her final hours and days with him to try and discover what, if anything led to his disappearance.

A tender coming-of-age drama that explores the evolving dynamics between a mother and daughter against the serene backdrop of Darjeeling. The film beautifully captures themes of adolescence, longing, and the complexities of familial relationships, offering a heartfelt glimpse into the delicate threads that bind us.

Snehmoy and Miyage are pen friends who exchange wedding vows through letters. Fifteen years pass but they never meet. Yet the bond of marriage is strong between them. This unusual relationship comes under a cloud when a young widow, Sandhya, comes to stay with Snehmoy along with her eight-year-old son Poltu. Snehmoy and the little boy bond and the arithmetic teacher discovers the joy of palpable bonds and fatherhood. There develops an inexplicable thread of understanding with Sandhya too. But Snehmoy remained loyal to his unseen Japanese wife.

An exploration of the impact of schizophrenia on a young woman and her family in today's Calcutta.