Carlos Rossini

The film tells the story of Mauricio Fernandez, mayor of the wealthiest municipality in Latin America, located in the North of Mexico. He presents himself as a polemical figure who takes justice into his own hands in order to "clean" his municipality of the drug cartels' presence. Mauricio is a key character to better understand the present situation in Mexico and through the unusual views of this politician, the audience will be a privileged witnesses of an scenario where political tasks and excessive violence mingle with one another.

A dramatized account of Colombia's 1985 Palace of Justice siege combines fictional elements with historical footage, exploring themes of belief, turmoil, and lasting national trauma.

A small community in Veracruz is the guardian of one of the ecosystems facing the most risk: the cloud forest. By redesigning their needs, education and relationship with other people and with nature, they search for a simpler and sustainable life.

In a journey from the mountains of southeastern Mexico to the northern border with the United States, Subcommander Marcos and the people of Mexico trace the forgotten face of a country. A celebration of the struggle for land and dignity.

Multiforo Alicia is a space that constantly seeks to trigger rebellion, questioning, resistance, reflection and finally generate a self-managed organization for the inhabitants of Mexico City. It is the place where the others not within the market culture mainstream, fit in. This documentary tells us what it is and what´s the purpose of the existence of these kind of spaces.

Rosario is the portrait of the intimate life of a woman. Her son disappeared in Monterrey City in 1975, changing her life drastically. She has become a tireless fighter on the search of her son, devoting her whole life to Human Rights in Mexico.

Documentary testimonial Nicaraguan-Spanish director Mercedes Moncada. It is not an autobiography, but it points to a very emotional perspective with the Nicaraguan revolution. Narrated in the first person, the documentary tells testimonial filmmaker's memories from his childhood, when the revolution broke up the "loss and betrayal" of the Sandinista National Liberation Front (FSLN) to the political principles that had been erected.