Janusz Gajos

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

The film is set in the Tricity in 2003, ten years after the end of communism in Poland. The plot, apparently based on the real-life experiences of Kraków businessmen Lech Jerzorny and Paweł Rey, is about three young, talented businessmen who open a high-tech factory. This comes to the attention of the local state ‘mafia’, the local Prosecutor, played by Janusz Gajos, and tax office boss, played by Kasimierz Kaczor, who are both jealous and would like to make money for themselves. We are in Poland, so success must be punished.

In Warsaw in 1980, the Communist Party sends disgruntled radio reporter Winkel to Gdańsk to dig up dirt on the shipyard strikers - particularly on Maciek Tomczyk, an independent labour union leader whose father was killed in the December 1970 protests. Posing as sympathetic, Winkel interviews the people surrounding Tomczyk, including his detained wife, Agnieszka.

A young militia lieutenant goes undercover as a journalist to investigate a Zakopane smuggling ring.

A winter day at a Polish castle, half owned by a fatalistic notary and half by a volcanic old soldier's niece. The old soldier, Cupbearer, and the notary are sworn enemies, which may doom the love between the niece, Klara, and the notary's son, Waclaw. On this day, the tongue-tied Cupbearer asks a braggart courtier, Papkin, to sue on his behalf for the hand of the widow Hanna. Papkin succeeds and

Poland, Christmastime. A band of hyperintelligent, bloodthirsty Martians take over the country and enlist hapless television newscaster Iron Idem as the voice of their propaganda machine. But when Iron dares to go off message, he makes an enemy even greater than the aliens—the state itself.

An elderly man returns to Poland to find his long-lost son, missing since World War II. In his quest the man is forced to contemplate the elusive and coded nature of truth itself.

A well-regarded engineer in a big enterprise is hounded by trumped up attacks on his integrity when he delves too deeply into how bonuses are handled by the management. He gets into an argument with the guard, is arrested and subsequently fired. An old friend, a journalist, tries to sort things out but the victim's stubbornness and past problems with his wife lead to lossess by both.

The fate of three Catholic priests were linked together through tragic events a few years back. Every year, on the anniversary of the catastrophe, they gather to celebrate their survival of the tragedy. Lisowski works at a curia in a big city, building his career while dreaming of the Vatican. Standing in his way, Mordowicz, the archbishop, a luxurious church dignitary who is making use of his political connections to build the largest sanctuary in Poland. Trybus, is a parish priest and often submits to human weaknesses. Kukuła also is not doing well. Despite his passion for faith, he is losing the trust of his flock. Soon, through new tragic events, the paths of the three priests will cross again.

A father and daughter, Michał and Anka, have a unique intimacy, which the college-aged Anka is beginning to feel conflicted about. When she finds an unopened letter from her deceased mother, it seems to justify her attraction to Michał, who may not in fact be her father.

This heroic story follows the life of Karol Wojtyla, a Polish Roman catholic who ascends the throne of St. Peter as Pope John Paul II. As a young boy, Karol is a bright and talented student. Archbishop Sapieha recognizes the very special, moving qualities Karol possesses and encourages him to consider the priesthood. Although determined to study Polish literature, Karol turns to the church; he is ordained and studies in Italy, France, and Belgium. Torn by fear and repression in post-Stalin Eastern Europe, Karol becomes a poisonous thorn in the communists' side. His deer reverence and commitment return him to Poland as Pope John Paul II.

A little known episode from the life of Stalinist security police office Julia Brystiger. Her nickname Bloody Luna was a reference to her incredibly brutal methods of interrogation. In the early 1960s, she appears in a centre for the blind on the outskirts of Warsaw, a place often visited by Cardinal Wyszyński, whose imprisonment in 1953-1956 Brystiger supervised personally. During a difficult and heated discussion with the cardinal, Brystiger denounces the communist ideology and begs for forgiveness for her crimes and for guidance in her search for God.

In 1969 a young writer decides to write an essay on a well known Polish writer, who had to leave the country in the 50's, later living, working and dying in exile. He slowly assembles the character and even the exterior appearances of his idol until his own identity tragically disappears.

In Stalinist Poland, cabaret singer Tonia decides to spend the evening drinking with a group of friends. The next morning, she awakes to find that, for reasons unknown to her, she has been jailed as a political prisoner. As prison officials interrogate, torture and humiliate her, she fights for survival and to maintain her innocence by refusing to sign a false confession. As her years of imprisonment pass, her relationship with her captors grows more complicated.

Maciek is a bright and savvy 20-year-old, although he has to borrow money and a car for a date from his dad. His father, on his eighteenth birthday, set off an explosive device, stole a car, contributed to the wrecking of two police cars and deceived for big money a shady businessman. At the same time, he won the heart of a beautiful woman. So he set the bar high, and it will soon become clear whether his son has inherited his bravado and propensity for dangerous intrigue. All this will happen through a date that will connect him with two unpredictable women and draw him into a game at stake - big money and even bigger love.

An odd couple of old people lead their simple lives close to nature. The man is an amateur constructor and his goal now is to build a small river dam to produce electricity for his country house.

A well-known professor of medicine finding himself at the threshold of autumn of his life, takes stock of his achievements and experiences. "In the end it ends with what has been known for a long time: that conscious life without a fixed worldview is not life, but torment, horror. - wrote Anton Chekhov in one of his letters summarizing "An Uninteresting Story". The protagonist, Professor Nikolai Stepanovich, is a character characteristic of Chekhov's entire oeuvre - a Russian intellectual from the late nineteenth century, depressed by boredom and a sense of his own uselessness and the meaninglessness of his existence.

Michal Szmańda suffers from epilepsy, depression and other conditions. He is cared for by his sister Aniela. The only bright ray in her life is the "garden" arranged in the kitchen. They do not live with their mother. When they were children, and this was in Stalinist times, the mother was a labor leader. Possessed by the new ideology, she neglected the house and children. When little Michael was sent to a sanatorium, his mother did not visit him at Christmas. This caused trauma for the rest of his life.

The screening of a movie "Daybreak" at the "Liberty" Cinema is interrupted by an unusual event - actors come to life on the screen, start conversations among themselves, draw the audience into them. Crowds gather around the cinema, the relevant authorities and services wonder what to do in this complicated situation. Also arriving is the censor, a man reaching his fifties, a one-time literary critic and journalist. The line between fiction and reality begins to blur.

Shortly after World War II an American soldier (Norman) and a Polish refugee (Emilia) fall in love. Eventually he will return to the U.S. and both expect that she will soon follow him with her mother. Emilia's mother is sick, but will recover with the right medicine. But the mother, and not Emilia, knows that there will only be one ticket...

A mysterious Mania appears in Warsaw. The girl, together with the other children, experiences amazing adventures.

There is a writer who in the late 1970s managed to publish a poem in the monthly "Nowy Wyraz". It was enough to become a self-confessed writer whose name began to appear in the state media. The writer takes full advantage of his privileges - he flirts with power, sympathizes with the opposition, and collapses his studies at the same time. He is saved from going to the army by an exalted essayist whose sister is the head of the psychiatric hospital in Tworki. In a psychiatric institution, a writer meets a schizophrenic who writes a novel. After his suicide, the protagonist takes over the draft, which he publishes outside of censorship under his name, thanks to which he gains fame, fame and money. August '80 breaks out....

In post-communist Poland, former secret police agent Franz Maurer works as a regular cop pursuing a major drug ring. As he and his old comrades lose their privileges and face public scorn in the new reality, Franz realizes that some of his former colleagues are now on the opposite side of the law.

Exploring one of the defining features of modern society, therapy, as seen through the eyes of a psychiatrist whose professional and personal life is on the verge of collapse.

The Ten Commandments, exact and uncompromising, literally cast in stone, continues to provide a source of moral conflict in contemporary society. In the ten part collection of films, The Decalogue, Krzysztof Kieślowski examines the dilemma of fundamental sin in the lives of ordinary Warsaw citizens.

The town is shocked with a brutal double murder. The "Courier" hands the case to an experienced journalist - Witold Wanycz. At the same time, he learns about the mysterious suicide of two teenagers. Together with Piotr, a young journalist, they start their own investigation.

The dark world of crime: murders, racketeering, drugs, kidnappings. There are no rules here. Working in this world makes cops cynical and ruthless. There is a fine line between them and criminals - will any of them cross it? The main characters are officers from the Department for Counteracting Criminal Terror and Homicides. The action of the series is an extension of the threads that appear in the feature film. It presents in a realistic way the brutal and dark world of crime that officers encounter on a daily basis. They're not just tracking down murderers. They fight racketeering, kidnapping, drug trafficking while struggling with their own day to day life and problems.

Czterej pancerni i pies was a Polish black and white TV series based on the book by Janusz Przymanowski. Made between 1966 and 1970, the series is composed of 21 episodes of 55 minutes each, divided into three seasons. It is set in 1944 and 1945, during World War II, and follows the adventures of a tank crew and their T-34 tank in the 1st Polish Army. Although both the book and the TV series contain elements of pro-Soviet propaganda, they have achieved and retain a cult series status in Poland, Soviet Union and other Eastern Bloc countries. The T-34 tank Rudy with the identifying number "102", a German Shepherd dog from Siberia Szarik and to a lesser extent the crew Jan Kos, Gustaw Jeleń, Grigorij Saakaszwili, Tomasz Czereśniak, and their commander and mentor Olgierd Jarosz, as well as other heroes of the series, have become icons in Polish popular culture.

Ekipa is a Polish political drama TV series created and directed by Agnieszka Holland, aired from 13 September 2007 until 6 December 2007 on Polsat. Ekipa is the second Polish political fiction series after the 1980s miniseries The Career of Nicodemus Dyzma.

One of the most important action series created during the transition period. It brilliantly and credibly portrays the realities of the 1990s and the work of police officers in a new reality, one in which entirely new criminal groups emerged – drug dealers and warring gangs.

1937 Warsaw, Poland. The Jewish mafia rules the city. Head honcho is gangster socialist, Buddy Kaplica. His right-hand man, boxer, Jakub Szapiro who dreams of taking over Buddy's top spot as King of Warsaw.

Czterdziestolatek or 40-latek was a Polish television comedy series broadcast between 1974 and 1977. The first series enjoyed so much popularity that it has successfully continued and led to the release of a feature film I'm a Butterfly, a 40-year-old Love Affair and a New Year's Eve television program in 1975. The series was written by Jerzy Gruza and Krzysztof Teodor Toeplitz and was broadcast on Telewizja Polska. In total, 21 episodes were produced. The series followed the fate of a Warsaw family and explored topics related to midlife crisis, such as extra-marital affairs, attempts to quit smoking, obsession with hair loss, efforts to maintain physical fitness, pride in achievements and professional life, the desire to seek self-fulfillment through social activities, etc.

4 Alternative Street was a Polish comedy TV show that was finished in 1983 and aired in 1986 due to censorship. Many famous Polish actors appeared in the series. The filming location used in the mini series was a residential complex which is still in existence at 3 Grzegorzewska Street in Warsaw, Poland. The series was a satire to the communist rule in Poland, spoken in a way that it passed through communist censorship office.

A story about the professional and personal struggles of the lawyers at a law firm in a town near Warsaw. In their work, they encounter a wide range of human problems, while often dealing with complicated family lives of their own.

An epic tale of a hundred years of Polish history from the perspective of women, the titular maidens and widows. Set against the backdrop of turbulent historical events.

Kapitan Sowa na tropie is a Polish series from 1965 directed by Stanisław Bareja. It was the first Polish criminal series made after World War II.

The horse Karino is born during winter and when his mother dies, a young woman starts to care for the helpless foal. Their adventures together are followed during the years to come, from the age of a newborn to the time when Karino’s a full-grown competition horse.

The Master and Margarita is a Polish television production of Polish Film Producers Teams, based on the novel by Mikhail Bulgakov.

Three boys are investigating a ruins of the old fortress during summer vacations.