Tibor Vichta

The trenches of World War I provide for a captivating backdrop to the drama of Corporal Hoferik. In his devotion to the Habsburg Monarchy, he fanatically carries out his military orders, but he ultimately suffers the Empire's disfavor.

When a selfless king learns of a beautiful princess in a neighboring kingdom who callously turns down every suitor with an insult, he tries his luck to no avail. So, he hatches a plot with her father in which the princess is married to him, in disguise as a beggar, so he can teach her lessons about humility and compassion.

Two female clerks using up their savings to enjoy a few days of carefree life, two plumbers looking for an erotic adventure, a building contractor determined to drink away all wages of his workers and a former major who became an alcoholic due to political persecution — these people meet in a ski resort bar somewhere in the High Tatras. During one night they gradually reveal their unfulfilled dreams, illusions and disappointments of ”average" people of those times.

Tou former boxers meet in the ring again after years for a re-run of an old match. The old loser currently works as a factory executive and he is unwilling to reconcile with his old defeat. He challenges the old winner, whose job in a garage puts him on the opposite end ofthe career ladder. The match is a battle fought between two men who stand for two different attitudes to life. The confrontation results in the revelation that the winner is not always the one whose arm is raised by the referee after the last round.

Concentration camp commander Kraft finds out that prisoner Kominek is a former professional boxer. Overnight, the prisoner is made Kraft's exercise partner and unwillingly rises to a privileged position at the camp. His anger over the death of his friend and co-prisoner leads to open revolt. The film brings a new view of human degradation during fascism by a tragic story of one man whose only chance for survival is to accept the rules of an unequal game.

Bratislava, 1930s. The owner of a luxury tailoring salon, Alfréd Blum, has always relied on a classy clientele, thanks to which he rose to the top of society. But times change, the world is in an economic crisis, and Blum discovers that in reality he only has debts. He has completely lost his assets in shares, and his clients have to deny themselves luxury goods. The only hope to save his family from poverty is Blum's life insurance policy for 300,000 crowns. Therefore, the businessman turns to his old acquaintance, unemployed tailor Ján Kepeš, with an unusual offer. He gives him five thousand crowns and arranges a job for him in a Viennese salon. The condition is that Kepeš kills Blum...

"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."

The Sultan awaits the arrival of his son, Prince Omar, who has brought up in a distant land. The master tailor and his assistances are making clothes for the prince. Labakan, the most gifted of his assistances, craves to be a Sovereign's heir so he steals the princely garments snd poses as the Sultan's son.