Christine Paul-Podlasky

Scotland, 11th century. Driven by the twisted prophecy of three witches and the ruthless ambition of his wife, warlord Macbeth, bold and brave, but also weak and hesitant, betrays his good king and his brothers in arms and sinks into the bloody mud of a path with no return, sown with crime and suspicion.

London, England. Mike, a fifteen-year-old boy, gets a job in a bathhouse, where he meets Susan, an attractive young woman who works there as an attendant.

En route to London, Bear discovers at the border checkpoint that his passport is missing a few pages, which may prevent him from traveling to the city with the sports team he manages.

After a spate of murders, the villagers of Schtettel kill the depraved perpetrator, Count Mitterhouse. Fifteen years later the Circus of Nights appeared in the plague-ridden village and its performers include Mitterhouse's mistress, children and cousins. They have come to Schtettel to fulfil the Count's last words, an evil, vicious curse of death and destruction on those who participated in his impaling. The children of Schtettel become the targets for a brutal and devastating revenge as the Vampire Circus rehearses for its most deadly performance.

A zany and ribald farce about a machismo-fueled, philandering president, who strongly detests homosexuals and any other threats to his masculinity. His wife spends her days in utter misery, bemoaning her rapidly advancing age and counting her husband's lovers. One evening, when Mr. President beds his sexy female assistant, it wreaks a level of change that the man never could have foreseen.

When Kuba finds out his girlfriend Ewa is pregnant, he reflects on life and wants to prepare to do everything he can to be a great father and provider. Kuba wants to be a responsible man but he isn't sure what is the ideal way to live. He visits his three uncles seeking their advice on what he should do. As they all have their own perspectives, each of his uncles guides him in new directions.

A moral conflict between a young assistant and an associate professor arises during a university linguistics camp.

Three friends from the neighborhood – Adi, Pele and Chemist – are often referred to as freeloaders, morons, losers. This is a gross simplification! In fact they are underestimated by the world. It hasn't appreciated them YET. Life presents them with challenges and difficulties, like bad luck at work or mentally ill neighbor's dog or a grandmother who steals their hashish. But they do not give up!

Bearing traces of the old Anton Chekhov play The Wedding, The Contract is set during an "arranged" ceremony. The bride and groom barely know each other, but this matters not at all to their tradition-bound families. At the last minute, the bride balks. Only slightly nonplused, the groom's father, a status-seeking doctor, decides to go ahead with the expensive reception anyway. Polish director Krzysz Zanussi uses this scenario to stick it to capitalist corruption, and to society's destruction of the individual spirit. Leslie Caron, the one recognizable member of the cast, is outstanding as a wealthy, over-the-hill ballerina who happens to be a kleptomaniac.

The finder of a suitcase stolen in 1939 from the French embassy in Warsaw tries to reach its owner.